Tutorial

Learn how to create a Linda Evangelista short haircut that she made famous in the 1990's. One of the most well-known models at the time among Naomi Campbell and Cindy Crawford, she had a vibrant career and earned celebrity status for her modeling. One of the most important contributions she made in the fashion world is her iconic short haircut. Photographer Peter Lindbergh suggested she get a short haircut and in 1988 she chopped it off in a bold move that shocked the industry. Hairstylist Julien d'Ys created the iconic pixie that soon gained popularity shortly after. Her style was broadcasted all over the news and media outlets, including popular print magazines such as Vogue. Linda Evangelista has sported many long and short hairstyles over the years, but the short crop pixie made the biggest impact in the hair world in the late 80s and early 90s. Today short haircuts are popular among women, but Linda's has maintained a timeless essence which exudes beauty in any era. Watch this tutorial and follow along with the transcript.   Linda Evangelista Short Haircut Tutorial: Welcome back to the Jatai Academy. I'm Russell Mayes Director of Content and today we're going to be doing a study of the Linda Evangelista pixie cut, one of the most iconic haircuts of any fashion era. And we're going to study what makes it great, what makes it work, how to remove enough weight to where it fits in nice and tight but still have some length and that was really her signature. It was short but she still had length. She's had thickness and it was solid, but it wasn't too bulky. It still had softness and movement. So let's see how we can do that. Let's get started.   Sectioning I want to take my first section which is going to separate the top of the hair from the bottom. The bottom we're going to fit in real nice and tight. The top we're going to leave a little longer. We're going to take the center of the recession to the quarter part, quarter part down and then we're going to bevel that out as opposed to just going to a point. I want to bevel this out just to make it flow a little bit better in the back of the head. I'll take an angled section right here at the front. I'm going to go through and use my Feather Styling Razor. This is the wood-look option which is my favorite right now. It's a limited edition so get it while you can. I'm going to take this first section. I'm going to pull perpendicular to my parting. So T to the parting. Now most of Linda Evangelista's pixies were longer in the front about the center of her nose that she would kind of texturize and swift one way or the other.   Cutting the Sides So I'm going to pull this forward. I'm going to plant my knuckles and then angle my fingers to get that length right at about the center of her nose and then we're going to go through and cut that back towards the ear. I'll take my next section. This is going to be a parallel section to my first that I just cut. We're going to comb this out of the way. I'm going to take this section. I'm going to pull it forward the same but where this is going to differ is that I'm not pulling it straight forward flat to the head. I'm going to slightly elevate it. So I'm going off the curvature of the head as I work this back. An easy way to determine that is I just lay the comb right at the parting and it will show me what elevation I take as I go towards the back. That's going to give me a curved line going from the front to the back. Again pull this out, find my line. There's my guide. Try to take the same broad razor stroke that I was taking before. Cut that down and through. The next section parallel all the way down into the nape. Now the number of sections that you're going to take is going to be determined by how big the person's head is. The bigger the head, the more sections you're going to take. The smaller the head, the fewer sections you'll take. Pick up my previously cut guide. Pull out the first. Find the right elevation. Find the right angle. Cut that back towards the ear. Once I get to the ear I'm no longer going to work that all the way in. I'm going to start taking this section parallel to the head, parallel to my parting. So the parting up here was at an angle. Once it hits the ear, now it becomes parallel to the section. Continue my next section. Pull this forward. There's my angle. I got the right elevation. Lift that up and through once I come into the nape parallel to my parting. So I start to build up weight here on top of the ear and then it starts to become much more even in its weight distribution as I get down to the nape. And I will continue this until I get all the way just past center. Next section, since I don't have any hair above where the ear is this is all going to be parallel, parallel to the parting and also following my previously cut guide. There's my length. Nice. Very nice. It's taking me back. I've got George Michael playing in my head. Now we're going to go through and do the same thing to the other side. To make sure that I keep my moisture content the same on both sides. I'm going to be using Jatai Blade Glide. This is going to give me the ability to keep my moisture consistent on both sides. It compacts the cuticle and makes it a lot easier to cut with the razor. I'm just going to go through and take a parallel section to my previous guide which is going to be like that. So now from here I know that I'm going about to the bridge of the nose so I'll pull this out. I'll rock it to where I have about that elevation into it. There's my guide from underneath. Go through. Take that length off. Same thing as I work from the front to the back. Get my elevation right, a nice broad razor stroke following my guide from underneath as I work all the way into the back of the head. Now I'm going to take a parallel section about the same thickness from front all the way to the back. If I need to add a little moisture I'll hit it with a little Blade Glide. Perfect.   Follow us on your favorite social media @jataifeather   There's my guide. Nice broad razor stroke so I don't build up weight but I do build up length. There's the next nice broad stroke. If I need to have them tilt their head down there's my guide from underneath. Cut that down and through. Next section and I'm going to continue with this method until I get slightly over the center top of the head. Find the right elevation. There's my guide from underneath until I work all the way into the nape. That looks pretty good. Now I'm going to go through and do the same thing to the other side. Uh I think we've got a little too much length in the front so I'm going to take a little bit off right in the middle so that'll be easy. Just take a parallel section there. Yeah we got the sides fine. It's just right in the middle I'm not a fan of so we're going to go through, take that and bevel that shape from the sides into and around the front. There we go.   Cutting the Top Now to control this kind of point on top it's very easy. It's going to be very simple. I'm going to take a center mohawk section. So I've got my center section here on top. What I want to do is go through and remove this corner that I have on top by pulling it left and right, front and back. The way I'm going to do that is I'm going to hold this and cut just like this. I'm going to flick some of this length off by using my thumb against the back of the spine of the razor. I'm not laying it on the actual blade. I'm laying it on the back of the razor putting the hair and then pulling the blade out that will take any kind of length that hangs off over where I push that end of the blade off. Very little, if anything, right through here. Yeah, very little. If I feel like the hair is too thick, then the way I'm going to remove some weight is not by channel cutting because I don't want to introduce any separation and any sort of movement. I want to keep this a very neutral shape. So what I'm going to do is I'm going to pull out a section very easy and then just lay the blade directly flat across the entire section and fillet some of that weight out of it just like I'm filleting a fish, filleting some sushi. Take a little bit of that weight out and that will remove the weight without changing the shape or putting channel separation into it. We're going to continue this on the top all over and just take a little bit of that weight out just gently lay the blade against the hair and then start to rock the blade until it starts to cut. Once it starts cutting, I'll leave it at that angle. Boom very quick, very easy, very very light. I don't want to get heavy with this razor especially on blonde hair because it will flat cut it off quick because blonde hair tends to be a little delicate, so I need to respect that.   Give us a thumbs up, click the notification bell and subscribe for future Jatai Academy content.   I like this. I think we got the basic shape into it so now let's go through and blow it dry and see what our end results are.   Final Linda Evangelista Short Haircut Pixie Look So here's our end result of the Linda Evangelista haircut and I think we got the texture right which I think is the hardest thing when you're working on mannequin hair or hair that's been bleached like our inspiration picture where you got to get it soft enough thinned out enough without getting wispy and I think by laying our razor flat against the section, that really generates that type of texture and that type of shape. We got a solid shape. We got a little bit of fullness all the way around. Very very iconic of when she was doing the George Michael video with when she had her short pixie kind of hair. I like it a lot. I think that this works really really well. So couple of things to remember: pull your sections forward, angle your fingers so you leave more weight right here around the front and then you're tapering it into the back. Also, gently fillet with the razor across each section to remove as much weight as required. Let us know what you'd like to see in the future and please check out the Jatai Academy. There's all kinds of fantastic information on there that will make you a better hairstylist and barber. If you have a question, leave it below. We'll try to get back to you as soon as possible and again thank you so much for watching. We'll see you next time.   Tutorial

In this tutorial we explore Lily Collins hair when it was short, similar to how hairstylist Gregory Russell Cut her hair for the Calvin Klein campaign. While we are more familiar with the Emily in Paris stars' long hair with curtain bangs, her short blunt bob is a testament to her more mature and sophisticated side. We demonstrate Lily Collins' beauty and style with this red carpet timeless haircut. Follow along with the video tutorial and transcript below.   Lily Collins Hair Tutorial: Welcome back to Jatai Academy. I'm Russell Mayes, Director of Content. Today we're going to be doing a one-length bob. But we're not going to do an old-fashioned grandma one length bob. We're going to do something young and cool. We're going to use celebrity Lily Collins as our inspiration. She has this cool one length bob that still maintains the essence of the shape but because it's done with the razor it keeps it modern and fresh and softer and a little bit easier to live with. So let's get started. Alright. So we're going to start by taking a center part or a natural part. Hers is slightly off center, but it's pretty much very very close down the middle. We're going to go to the occipital bone to the mastoid and then I'm going to split that flat section in half so that I have enough hair that I can start to develop my shape but not so much that it starts to clog up my razor.   The Limited Edition Wood-Look Feather Styling Razor I'm going to use my Limited Edition Wood-Look Feather Styling Razor. Now this is in celebration of Jatai's 75th Anniversary and there's only a limited number of these being made. While the handle is not wood, every handle is going to be individual because the wood grains are going to be different, the color variations are going to change from handle to handle. And so once they're gone they're gone. They're not going to make it again and you can buy this individually with just one blade or you can buy it in a kit with a pack of blades and the other accessories that go along with it. And also don't use alcohol-based disinfectants because it can affect the wood look finish.   Creating a Solid Blunt Shape Now we're going to go through and start with our razor bob and the thing that I want to pay attention to that makes this bob modern that Lily's wearing is that the texture is just in the tips. There's not a whole lot of texture that's going to modify the shape and make it piecey. So we want to keep this as solid as possible. So I'm going to hold everything, comb clean straight down. I'm going to find where I want my length at and then I'll put the razor in and I will very gently move this up and down just about a sixteenth of an inch so I can still keep that a very solid blunt shape. We're going to take our next section. Whatever my line is that I parted is going to be the line that I cut in it because I want this to be a little longer in the front. Cutting that down and through. Following my parting on the opposite side, there's my line. We're going to go through. Gently cut that off. Now you want a sharp blade. If you don't have a sharp blade you're going to start trying to saw the hair off. And the more that you're trying to saw the hair off, the more texture that you're going to put in it. Remember I want to keep as little texture in this razor bob as possible and that's what keeps it looking really modern and very very chic. There's my line underneath. I'll lay the razor right on top of it and just about a 16th of an inch razor stroke and cut that straight across. That way I concentrate the texturizing just in the very tips. If I'm working on a model that has very very thick hair and I still want to go through and do this shape, I may run into a situation where I start to build up too much weight and then it starts to look broom-like. So if that happens, then what I'll do is every other section I'll take a broader stroke to remove more weight. But then on every other section I will go through and cut very very blunt like this as much and as blunt as possible to make sure I have that solid line. Now I'll go through. Check this out. We're shorter in the middle, a little bit longer towards the front. So once we got our baseline in, we're going to continue on following the same pattern. Now as my first section was the occipital mastoid, now I'm going to go two flat sections where the head is flat, where the head is flat, right to the top of the ear and that should give me exactly the same angle (the same line) that I was doing underneath. So this line should match that line and then I will take this and split it in half and there's my next section. Pin that out of the way.   Moving Up the Head Now as I start to move up the head, if I feel that the hair is starting to lack a little moisture, I'm going to use my Jatai Blade Glide just to give me a consistency with the dampness. Also, it's going to constrict the cuticle and make my razor cut easier and cleaner. We're going to move on to the next section. I want to maintain zero elevation with my fingers being the only graduation that I get. The only elevation is from this middle finger, but everything else wants to be as flat to the head as possible and I want to keep my razor at a 45 ° angle. I'm not laying it perpendicular to the hair. I want to keep a 45 ° angle as I'm cutting. So I'll put the blade in, angle it at 45 right through there on top of my previously cut guide and cut that down and through. Keep everything T to my parting. There's my line. Cut that through. Check and see how the length is. I think that length is going to be just fine. Continue that through. Now by me laying the blade flat against the hair and cutting everything one length I'm not introducing any kind of movement to this cut or this shape at all. Everything is going to be solid and blunt. I'm trying to apply as much precision to this as I possibly can even though I'm using a soft cut tool where it's not giving me a precision cut like a scissor would. I still want to use the technique and the methodology to make this as precise as possible. So when I'm combing I'm working on flat sections of head. I'm combing from the root clean all the way down and through creating just enough tension to hold the section tight but not so much that I'm stretching it. Laying the razor against that parting right there, cutting that straight across. There's my line. Cut that down and through. Next section, keep everything combed as clean from the parting all the way through to my fingers as possible cutting that straight across. I think with it being a little longer in the front, we have shunned that shape for so long that now when we see it being a little longer in the front it looks fresh again. Follow us on your favorite social media @jataifeather   Now when I come over the ear, since I have to maintain tension on the hair, I'm just going to comb everything into my hand using the comb as the maximum amount of tension that I'll use. I'll plant my fingers. There's my guide from the back and then continue that down and through. I can't go through and do any sort of little tricks as far as making sure I don't cut a hole in it over the ear other than using the least amount of tension as possible. And we have a nice little line that's building up a little length there in the front. And we're going to do the same thing on the other side. Taking my time and making sure everything is combed as clean as possible all the way down. Cut that through. There's my line. Cut that through. Perfect. Looking good. Alright. Let's check our lengths out. I think we're looking pretty good through there. So we've got our basic shape in. Now remember, if the hair was overly thick I could razor in between sections to remove that kind of broom effect that I may get. Let's blow it dry, take a look and see what we got.   Give us a thumbs up, click subscribe and the notification bell to be notified of future Jatai Academy content.   The End Result of this Lily Collins Hair Tutorial So here's our end result and I think we're looking pretty good. I mean this is more of a less uptight kind of bob you know and that's what makes it modern is that we still have this solid bob shape, but it's got that little pieciness on the ends that make it look like it's grown out a little bit and keeps it from looking really stuffy and too perfect. And I think that because it has that kind of softness and that kind of tattered edge to it it gives it something really interesting to look at and it catches your eye more than just a real blunt cut bob. Please check out the Jatai Academy. There's all kinds of fantastic information on there that will make you a better hair stylist and barber. Also let us know what you'd like to see in the future and once again thank you so much for watching. We'll see you next time. Lily Collins hair bob is classic and sophisticated. The timeless look defies hair trends and is perfect for any lifestyle. No matter the season, the one length bob will never lose popularity. Tutorial

In this soft undercut tutorial short hair look we use three tools to create the final style: clippers, a Feather Plier Razor and Jatai Kyoto Scissors by BMAC. All three tools have their important purposes and contribute to the final look in different ways. Follow along with the video tutorial and the transcript below.   Pixie Soft Undercut Tutorial:   Welcome to the Jatai Academy. I'm Russell Mayes, Director of Content. Today we're going to be doing a study on an undercut, but we're going to do a short undercut, a pixie undercut. Keep it from being so full on thick hair, still make sure it's got some movement some style and some grace. So check it out. Let's get started. Diving right in because I forgot to hit record on the underneath part but luckily it's an easy part to explain.   The Undercut So I took from the center of the recession straight back to the quarter part, quarter part down to the nape area and I rounded that out a little bit on both sides so I don't end up with a fat little point in the middle. From there I took my clipper with a number five attachment, hit on and just cut everything underneath off and very short. It's all the same length. Everything off underneath here, just buzz it short to get it out of the way. So after we've cut everything underneath short and clean, I'll take the guard attachment off. I'll take my comb and now I'm just going to go through and around the edges of the hairline fit that in. So I'll put the comb in angle it out a little bit so it's really short around the edges of the hairline and I work that up and out and blend. I'm not going to recut everything up to here. I'm just fitting it in a little closer near the hairline. So this is just tapering that in just a little bit closer. You can certainly go through and use smaller guards to fit that in a little cleaner as well but we're just going to show you options. So after I've got that fitted in we're going to come here into the nape and do the same sort of motion where I'm just tapering that in just right around the hairline. And I think when you go through and you do a little bit of tapering, even though it's not necessarily a massive amount, I think it does add a little more elegance to the haircut overall as opposed to it just being all the same length underneath. So it differentiates me from other people or for someone doing it at home. So it also adds a little style, a little bit of elegance, a little bit of fine tuning and sometimes it's just that extra 10% that really makes a haircut pop and look truly professional. The Pixie Portion So when I go and cut the top I'm going to use my Feather Plier Razor. Now the Feather Plier Razor is a guardless razor. It doesn't have a guard. It has a super sharp blade so be a little careful, but it gives me the most control over how much hair I remove, where I remove it from and how precise the shape is that I apply to it. So this is my weapon of choice for cutting the top. Alright so now we've sectioned off the top. I've sectioned from where the quarter part would be right at the crown. I've sectioned out the front from the back of the head. We're going to start right in the middle and I'm going to take me a little pie section and make sure it's not too thick. And I'm going to hold this out at an angle. I want this top part of the section to be held at that elevation so I can graduate it. Make sure everything comes out. I know I'm going short here so I'm going to take my Feather Plier Razor and start with a very very broad stroke and cut that up and out. And I think that that length once it bounces up is probably going to be pretty good. Now once I put a little bit more texture into this internally it will make it feel a little shorter as well. So before texture I leave it a little longer. After texture it will make it feel a little shorter. Close my razor. Take the next part. I'm going to pivot out of the center and add the next section in. Again, not too thick. If the sections get too thick then the razor has to push through it and I end up with a line that's not very clean or consistent. Open my guard again, there's my guide underneath, take that up and out. And I'm taking a pretty broad stroke to make sure I maintain that soft kind of texture to it. If I need to put layering in it then we'll do that a little bit later. And I'm just going to continue this pivoting right here in the crown and walking my guide around the head. And I think we're looking pretty good so far. Check that out, see how that's looking. I think that's looking pretty good. Now going through and taking a vertical section will force it to separate into vertical pieces. If I was to go through and take this horizontally then it would build up a much more solid line. So after I've done this side I'm going to go through and do the same thing on the other side. Okay now we're coming to the last section on the opposite side and I'm still continuing to cut up from the bottom to the top. Follow us on your favorite social media platform @jataifeather   Make sure we got everything dialed in there lengthwise around the perimeter. Now let's check the other side. So we're going to start here with the center part on top. We're going to separate it left and half sides. Then I'm going to go through and take a vertical section off of the center part using the guide in the back and I'm going to hold this vertically and continue my angle of graduation that I had from underneath, still taking a nice broad razor stroke working from the back into the front. If I want the front to get longer, then once I hit the ear I'll start to pull everything back to that. If I want to maintain everything kind of being equal, I can certainly continue to walk my guide. Next section, holding it out vertically, there's my guide that's falling out, taking vertical sections continuing that through. Now I've noticed that the razor starts to catch in the hair a little bit and I'm drying out so I'm going to use a little bit of Jatai Blade Glide to help smooth the hair out and make it easier for my razor to cut. Continuing my vertical sections, not taking sections that are too thick. There's my guide falling out. That's much better. Slides much better through the hair. Comb that down. I want that hitting right about the middle of the ear which is going to be right at the nose. Doesn't have to be perfect you know. I just want to make sure I get in the general vicinity of the proper length that I'm going for. Next section, pull to the ear so I leave a little bit of extra length in the front that I may cut off but at least I'll leave it there just in case I want to do something with that. Yeah I think a little more length is going to work out well. Take the last section, bring that back to the ear as well. Not much is going to reach from her previous layers that she had around the front. Now we've got that. There we go. Now we can start to see some separation popping in because we've been taking vertical sections. After I've cut both sides it's going to leave me a little bit of a point in the front. Now I don't want this much of a point because I think it's going to become too exaggerated so I'm going to round this out a little bit more and take a little bit of the weight out. So I'll take the entire thing, pull that forward and go through and do a deep channel cut as I'm cutting the length right here at the very front at the same time. It's going to not only remove the thickness and the weight of it, but it's also going to cut some of that length off. I'll go through and do my initial pass. I'll go through and do what I think needs to be done and then I'll go back and look at it and see if I need to take any more out or take any more length off. This haircut has a lot of visual elements to it and I have to determine that those visual elements if they fit as I go. I can't just hit it once and move on. I have to fine-tune the shape with each pass and with each cut according to her hair texture, their thickness, their growth pattern, their waves and what my end result what I think looks good to my eye. I think that's looking pretty good. So let's blow it dry take a look and see what we got. Give us a thumbs up, click subscribe and the notification bell to be notified of future Jatai Academy content.   Reducing Fluff Alright. So we finished blowing dry and I think the basic shape looks pretty good. It's very pixie like. It's nice and short underneath so it keeps it from really bulking out, but I think it needs a little bit more pop to it. I think it's still a little bit too fluffy. So what I'm going to go through and do is I'm going to take my Jatai Kyoto Scissors. This is the sharpest blade I got and I'm going to go through and do some really deep channel cutting and be very very aggressive with this to get this hair to separate more in pieces so it becomes less product dependent and I can still get that aggressive separation. So I'm not going to take any sections. I'm just going to comb the hair straight down put the blade in about halfway and just go through and chew some big separations between this. So not only will this remove a little bit of weight, but it's also going to give me a much more aggressive separation and I think make it look a little bit edgier and have a little bit more pop to it. There we go. I'm liking that better. Be careful. Don't go through and get too aggressive in areas that you don't want. Just pay attention. Gently apply. You can always add more but you can't take it out once you put it in. So be mindful of that and I think that right through there a little bit. Right through there. I like that better. Final Look of this Pixie Soft Undercut Tutorial Here's our end result. I think we're looking pretty good. We got a lot of texture to it and for as thick as this mannequin head is for it to not be so bulbous and full and still have some separation and movement to it, it is quite showing of the technique of undercutting it and then having enough hair to lay over it and putting a lot of texture to it. So let us know what you think. Please check out the Jatai Academy. There's all kinds of fantastic information on there that will make you a better hairstylist and barber. Also let us know what you'd like to see in the future. Thank you so much for watching. We'll see you next time.   Tutorial

When it comes to a military haircut for women there are certain criteria that must be met. Hair should be well groomed with a neat appearance. While hairstyles for military women have more versatility, their hair must be secured above the collar and not interfere with headgear. This means female military hair is often worn as a ponytail or bun. Hair can be short or long as well. But in this tutorial we will look at the iconic G.I. Jane buzz cut without using clippers. This is a bold look that can be done in a way that's not the same length all the way around. Watch the video tutorial and follow along with the transcript.   Watch this Military Haircut for Women Scissor Over Comb Tutorial: Welcome back to the Jatai Academy. I'm Russell Mayes, Director of content for Jatai. Today we're going to be doing a G.I. Jane inspired buzz cut, like a military kind of haircut, and we're going to use this as an opportunity to take it into a technical deep dive of scissor over comb. It'll give us an opportunity to practice. We're going to cover all the key points, how to move the scissor, how to move the comb, what kind of scissor you want, how to apply it and when to take a break. So let's get started.   The Military Haircut for Women Tools So the first thing I want to start with is my scissor. I'm going to use my Jatai Tokyo Scissor. This is a 6-inch scissor. Longer scissors work better for doing scissor over comb. Sometimes a fatter blade works well when you're trying to just motor hair off, but I find a good basic normal scissor that's not too thick or not too thin but long enough gives me all the options that I need for being able to do scissor over comb well. The next thing I need to pay attention to is how you hold your comb. Holding your comb properly will enable you to do better scissor over comb more smoother and apply the technique much faster. So I'm going to start by taking the butt of the comb putting it right in the crotch of my pinky. I'm going to put my thumb and forefinger on the spine and the teeth side of the comb. Now this way I can rotate my comb back and forth and it allows me to get into a rhythm as I start to go up and down. And as you start going over this you're going to go over this a lot of times. So this enables me to have a nice smooth scissor flow and enables me to focus on what's being cut, not on the comb itself. Scissor Over Comb So the first thing we want to do is go through and I'm going to lay the comb against the head, pull it out a little bit and just cut this across. I'm doing a very crude cut. I'll move up maybe a half inch maybe a quarter inch as I go up the head straight this way until I run out of hair. Now you're going to see little lines in it and that's okay. I'm not worried about it being perfectly flawless at this point. I want to go through and get that extra length off so I don't have to waste my time going through and cutting all of my length off. And I'll just attack this horizontally across the back and just go up and out. Follow us on your favorite social media @jataifeather Now at this point I want to go through and start really cutting it short. At the bottom I'm going to cut it the width of the comb. As I go up, the comb is slow going to start to come off of the head just slightly as I go up and round it to the crown. Comb down. Start low. Put my comb in. Follow the head. Put my scissor in same width as the comb. So whatever the comb width is that's going to be the length that I leave. Once I get about right here that comb starts to leave the head as I come up and out. Now I start to get a nice smooth transition as I'm going from against the head to away from the head. I'm not worried about all the little scissor lines that I have right now. I'm starting to whittle the shape down. So I start very crude with maybe five or six passes and then as I continue up the head I go maybe 15 passes and by the time I'm finished I will probably have gone over this a couple of hundred times with my scissor as I start to work up the back of the head. And I'm working to the ear.   Addressing the Finer Details Now I'm going to change my comb to something that's a little more detail oriented. The bigger the comb, the more crude the shape is. The smaller the comb, the more detail I'm focusing on. So now I'll start and do exactly the same methodology I was doing before, but this time I'm going to go through and scissor it a hell of a lot more. So as I start to start low I'm uh-oh. I'm following the head shape as I slowly come up and once I hit the occipital bone I start to come away from the head a little bit. After I've got that section done through there I'll go through and do the next section and the next section and the next section all the way over. And what you should see is a light dusting of small little baby hairs that are going to land on your hand. As I get to the occipital bone I start to come out from the head a little bit and what I'm looking for is this very very light dusting of hair. I want it to be almost fur like so that that way I can be assured that I'm getting a nice detail cut. When I'm focusing on scissor over comb, it's less about how much hair I take off and if I can see it as much as I get into a rhythm of going through and cutting my shape and I hear the scissor cutting. Cuz sometimes the amount of hair that gets cut off is so small that you can't see it and it starts to fine-tune the shape. And when it gets really fine-tuned I'll see something that looks like a little bit of a line right, but I can't judge how much hair I'm going to cut off. Or I'm used to cutting in my fingers, I can see how much I'm cutting. Here I can't see so what I have to do is go through and just trace what's already there and once I trace that line anything that sticks out that's not supposed to be there will get cut off. Now we're starting to get a nice soft shape through there and I'm going to go through and do the same thing on the other side. That's looking pretty good through there. I'm liking the way that that's looking and that didn't take me too long. So now let's continue our tapering into the sides of the head. Just going through and crudely starting to whittle my shape in and down against the head. And once the head starts to round then the comb will come off of the head slightly as I work up and over.   Smoothing & Tightening the Military Haircut for Women Once I got that shape done I got that down to where I feel that that's as good as I can get with my big comb then I will go in with my smaller comb and smooth that out and tighten that. Now why don't I just go with the small comb in the first place? Cuz it's too hard to deal with that much hair. The longer the teeth are on the comb, the more hair that I can deal with. The smaller the teeth are on the comb, the less hair I can deal with. And it forces me to deal with smaller sections of hair. Start here at the bottom if I need to come under the ear. Get the motor running and slowly start to go up as the comb. As the head starts to round I leave the comb from the head and start to round the shape out a little bit. I will generally do this right to the mastoid. Very good. Now once I've got this done and this done you'll notice I got this little transition here between the front and the back. So when that happens I'm going to tilt the head. We've got this hairline and this hairline which is parallel. So now I'm going to go through parallel to that and work that up and out. What that does is that allows me to still follow the head shape and then continue to work that up and out. So I'm pretty comfortable with that. Now we're going to go through and do the same thing on the other side. Alright, so now we're going to start here on the top and in the front. I'm going to take this section, pull it back just a little bit so I leave a little bit of length right here at the front and just crudely start to remove... come on baby...my length up here on the top. And I'll do that until I get to the crown. Next section. And I'm doing the same sort of methodology that I was doing underneath. It's just now I'm working from the front going back and then I'll work on the sides blending into the top, but I just want to get a rough shape of all this hair on top being cut short. So what I'm going to start doing is just going through and working in little pie sections just to go from short and rounding my shape out. Cut that up and over. Give us a thumbs, up click subscribe and the notification bell to be notified of future Jatai Academy content.   Freehand Haircutting As I get close to everything being dialed in like I want I can go through and then freehand over the shape just to get those little whispers of hair off, but I want to be very very mindful and conscientious because as I start to tire out I don't want my hands to start shaking and then I end up cutting a hole in the haircut and then I have to go back in and recut the whole thing around it because I got sloppy near the end. And that's usually when things are getting dialed in where you have a momentary loss of muscular coordination and the next thing you know boom! There's a hole. When you first start doing scissor over comb it's going to be rough on your hands and your hands are going to cramp, your thumbs are going to cramp. You know it's not going to be pretty. So I want to work a little bit and if my hand starts cramping I'll take a break. And it's okay. You don't have to power through it. I mean I've got 30 something years of experience and my hands are strong from all the years of doing this and your hands will be too when you're doing it as long as I have and as much as I have. Practice. Practice practice practice. The key to this technical deep dive about doing scissor over comb is the flipping of the comb, the motoring of the scissor. Make sure you have a blade that's long. If it's too short it's going to take you forever. A longer blade allows you to cut through more hair at one time than a smaller blade. Smaller blades force you to deal with small sections. Larger blades you can deal with larger sections and then just follow the shape and follow your guide and keep dialing it in and dialing it in and dialing it in until you get everything nice and smooth like you want.   Final Military Haircut for Women Look You look very G.I. Jane. Anyway, alright I hope that this technical deep dive has helped you picked up some pointers. Practice. Get your hand strong and you'll be able to do it great as well. Please check out the Jatai Academy. There's all kind of fantastic information on there that will make you a better hair stylist or barber. Also let us know what you'd like to see in the future and we will see you next time. Thank you so much. When it comes to female military haircuts, the styles are simple, groomed and have a neat appearance. Military hairstyles for females can be short or long but pulled out of the way. This very short cut is reminiscent of G.I. Jane and while it's not a military women haircut that's common, it is a possible style that can be worn!   Tutorial

Are you familiar with the Chelsea haircut? The Chelsea cut was a popularized counterculture punk haircut that women and men wore in the 70s and 80s. The look back then was a combination of a shaved head with longer hair in the front. Often associated with skinheads, the Chelsea haircut history actually has no political roots and was aimed more at being different and not adhering to the beauty standards of the time. 80s female hairstyles back then were glamorous, long and big. This British haircut was a stark contrast to the hairstyles seen on magazines. In this video, learn how to create a modified Chelsea haircut. Instead of a shaved head punk look, we're leaving the hair longer in the back for a softer look, but still keeping the overall structure of this England hairstyle. Hence, this modern punk hair look. Follow along with the Chelsea haircut video tutorial and transcript below.   The Chelsea Haircut Tutorial: Welcome back to the Jatai Academy. I'm Russell Mayes, Director of Content. Today we're going to be doing a reimagining of the early 80s hardcore Chelsea. We're going to bring it up into the new Millennia. We're going to add a little bit of Japanese texture to it. We're going to still make it clean and hard and edgy but yet a little softer at the same time. Anyway, let's get started. So the whole idea behind the Chelsea originally was that it was a middle finger to the fashion industry because the fashion industry and the beauty standards at the time, you know, in the early 80s was this glamorous bodacious cosmopolitan kind of post disco glamour where everything was super tan, super long, super hot rollered, makeup all the way to the hill and that was what the beauty standard that was being pushed was. And the Chelsea and the punk rock you know movement was really a revolt against all of that. And it was like oh from the front I got this hair but then in the middle it's all buzzed off and shaved and then I got a little hair in the nape. And I think that the iconic you know nature of that haircut is what really caused it to stick around for all these years. So we're going to go through and do a modern interpretation of that. So first thing, let's section out the front section. We're going two flat sections right here to where the bang section would be. Section to right behind the ear and then we're going to take occipital bone to the mastoid or less depending upon the shape that you're going for. And then all this hair in the middle is what we're going to cut really really short. So all of this center section we're going to go through and section out where the crown is and take that to the top of the ears so that way I can get my shortest part separated.   Addressing the Back and Front of the Chelsea Haircut I'm going to start with my Feather Styling Razor and I'm using the R-Type Blade. The R-Type Blade gives the most exposed blade, so it gives me the ability to cut more hair and get a cleaner cut. We're going to tilt everything down so we can see. I'm going to take a section right in the middle. Now classically, all this hair would just be buzzed short, but since we're doing a softer more modern interpretation of this, I am going to take this short. But I'm not going to buzz it. So I'm going to hold that up and I'm going to push everything down and see where the hair starts to bend and right there at the end of that first bend is the length that I'm going to go through and cut it. Check my length there. Looks good. If anything is too long I'll just thumb that off. So now we've got our shortest piece. So I will hold that 90 degrees from the head. There's my short piece right there and we will go through and cut that down and through. And I'm just cutting everything the same length all the way down right now. We're going to go through and do the same thing on the other side. Now if you noticed I cut inside out on both sides. That way I get the same sort of movement on both sides. Using my guide length cutting that down and all the way through seeing how that falls. And I'm liking that so far. I like that a lot. Okay so now I'm going to go through on my front section, take a parallel to my previous section that was right in the middle. Here's my first section. Here's my next section. I'll do that on both sides. First section still being pulled at the same elevation in the same angle, but now I'm pulling all the hair back into that guide right in the middle. Check that out. That looks pretty good and then just work that all the way down by continuing to pull everything into the center until I run out of hair. Everything pulled to the quarter part in the middle, the previous cut section. When your guide falls out, cut that down and through. Got a little long right there. So I'll go through, check that length. There we go.   Follow us on your favorite social media @jataifeather   Now we're going to take our last section here on the top. Pull everything back, follow that original guide cutting from the center out towards the edges. You certainly see we cut that quite short through there and that's the whole look of it. We want a shocking amount of length difference so that we can really really make a statement. Keep going until we run out of hair there. That's looking pretty good. Now if we look at that I'm liking that quite a bit. Now we're going to go back. I'm going to take my original center parting. So here's the first parting right through here. I'm going to take a parallel parting of my hair from behind the quarter part. Now from here I'm going to go through and do exactly the same thing I was doing before where I'm pulling everything into my original parting that I cut my original length to. So in the front I pulled back. So in the back I'm going to pull forward. Here's the length right there. It's falling out. Cut everything that same length and work that from the middle until I run out of hair. Continuing on the other side, everything from the center pulling to that original guide. And we got that. I'm going to continue on until I run out of hair. We've got all of the center part of our haircut done. We've pulled everything to the quarter part and got everything nice and short.   Reducing the Blend If I'm happy with this I can move on, but I think what I'm going to do is we've got a pretty good buildup of length going to here and I think I need less of a blend through there. So what I'm going to do is I'm going to go through and take a vertical section and change the angle on that. So instead of it gradually increasing in length I'm going to keep everything the same length all the way around the back. So we're going to start here. There's my guide length there in the crown. And I'm going to continue 90 ° from the head all the way down into the nape where I reach the very top of my parting at the occipital bone. There we go. Now we've got instead of increasing in building up length I have maintained the same length all the way down from the crown through the nape. From here, I'll pivot. Follow the same pattern, pull everything 90 °, find my guides, cut that down and through until I reach the top of my parting in the nape which is pinned out of the way for safety's sake so I don't end up cutting that. We'll keep going until we run out of hair. Keep that one out of the way. Come on.   Give us a thumbs up, click subscribe and the notification bell to be notified of future Jatai Academy content.   There I like that. I like that better. That's got a lot more pop to it. It's a little bit more dynamic. So we have this complete disconnection of our short hair into the nape. So it kind of makes this righteous kind of mullet shape. And while I love the fact that it is so disconnected I want to go through and soften that up just a little bit.   Blending Around the Nape So I'm going to go through and visually add some blend so that it's not so severe of a cut off. I think if I was to buzz this shorter and go for the classic Chelsea it's fine, but for this I'm trying to modernize it to make a softer more approachable kind of look. Okay so from here I'll take a center section. Take it vertical. You can see the severity of the disconnect so I'm just going to go through and very gently give me a little bit of a blend. I'm not worried about it blending like completely perfectly. I still want to keep that real severe kind of mud flap going on in the back. Take my next section. I'm not even going to look at my previously cut guide. I'm only looking at the short piece of where I'm coming from and then the length of where I'm going to and trying to go through and add a little bit of blend through there so I get a little bit of softness and separation through there. And then the same thing, get that little piece up there where it belongs. The same thing on the very last section on this side. I think what I need to do is put a little bit of channel cutting into this to really add a little bit more separation so that while my mud flap still has some blend, I want more separation to it. And you see by putting that vertical texturing, that separation, how it instantly forced the shape to collapse and now it's a lot more head hugging which I like better. So I'm going to do the same thing on the other side. There we go. I'm liking that quite a bit. Blunt Bangs and Hair in Front Okay so now here around the front I'm going to separate my bangs. Let's go through and cut these really really blunt. Since everything else is so soft in this haircut with so much texture from the razor let's make this bang, this fringe very hard and make it the focal point of the entire haircut. So I'm going to comb everything clean from the roots all the way down. I'm going to plant my fingers and then gently clamp with zero tension and then going through and using my Jatai Osaka Scissor, it's the sharpest scissor I got with a nice fat heavy blade so I can really get some power behind it. I'm going to cut everything nice and clean and blunt right there across her forehead. There is my fringe section. Cut that solid across. And I don't want it to get longer so I need to change the angle of my fingers. I'll get a rough shape into it and then once I finish the rough shape and blow it dry, then I'll go through and clean it up. After I've got the bangs cut, I'm going to go through and take the entirety of the left side comb everything down. You can see my short little separation right here. My finger is going to match where I want that to fall in the front and then a little shorter gradually getting a little longer going towards the front so it hugs right there at the chin, right at the jawline. Now let's do the same thing or try to do the same thing on the other side. There we go. I think we might have got lucky and got it on the first shot. Don't speak too soon though, but I like the way that's hitting the chin. Ouch! I'm going to go buy a lottery ticket. It's actually even. I'm pretty happy with that. Now at this point let's blow it dry, take a look at it and see what we got. Final Look of the Chelsea Haircut Here's our end result. I think it looks pretty cool. I think it looks pretty, a re-imagined version of an early 80s hardcore Chelsea. Softens it up a little bit, adds a little bit of you know modernity to it keeps it soft but yet still edgy. There's always a juxtaposition between styles when it comes to a Chelsea. You got this hard clean front and then this wild Japanese textured in the back and I think that that works well for the right person. Anyway, check out the Jatai Academy. There's all kinds of fantastic information on there that will make your better hairstylist and barber. Let us know what you'd like to see in the future and thank you so much for watching. We'll see you next time.   Tutorial

The Zendaya bob haircut from the SAG Awards in 2023 was a hairstyle to remember. When she debuted the style on the red carpet, it was an instant head turner. This fashion beauty knocked this hairstyle out of the park as the old Hollywood look was elegant, classic and yet modern. In this Zendaya bob with bangs haircut tutorial, you'll learn everything you need to know to recreate this look. Follow along with the tutorial and transcript below.   Zendaya Bob Haircut Tutorial:   Welcome to the Jatai Academy.  Today we're going to be doing a supermodel bob that Zendaya wore to the Screen Actors Guild Awards. I think it's beautiful. It's luscious. It's lovely. It's elegant, graceful and modern. Alright, so if we're looking at uh you know Zendaya's hair when she wore it to the Screen Actors Guild, this is a very nice elegant one length kind of bob with just some layering around the front and a heavy solid bang with a little bit of curl in it. And I think this is a beautiful beautiful haircut on her. I think she wears it very well, but the key thing to this haircut that makes it really modern is that she has this heavy bang that's kind of brushed to the side so you get this kind of bang fill in that they used to do in roller sets, but it's a much more modern version of that. So it's got a little bit of lightness but a little bit of heaviness. And getting that right I think is the key to making this haircut really fit.   Sectioning the Hair So to start with my bob shape I want to start as neutral as possible. So I'm going to take a center part down to the crown, from the crown straight down to the occipital bone, occipital bone straight to the center of the spine. Once I got the center part, I'm going to take from the occipital bone, that bump in the back of the head, right to that bump below the ear behind the ear which is called the mastoid process. So once I got the flat part of the back of the head sectioned out, this is going to be the foundation for me to build the solid bob shape. If the hair is too thick which a lot of times it is, I will separate this in half, following the same section that I had above it keeping my lines parallel. Once I get everything sectioned out like I want and it's even on both sides, I'm going to start the section in the middle. Start that right in the center and I determine the size of that section by where the comb is flat against the head. That way I don't have to worry about inconsistent graduation because I'm cutting across a curved part of the head and elevating it inconsistently compared to a flat section.   Building the Zendaya Bob Haircut Shape And then from here I'm going to use my Jatai Kyoto Scissors. It is my sharpest scissor. It also has a nice, weighted blade so it cuts a nice clean solid section no matter how thick the section is. Comb that clean from the root down. Make sure my fingers are perpendicular to the parting. There is my section. I'm holding that as low elevation as I can. Go through cut that straight across. Make that as blunt as I possibly can. The sharper the scissor, the better. Comb this down. There's my angle. That's the way I'm combing my parting, T to the parting. So I make like a T with the hair with the parting. There's my guide. Oops, go through, cut that straight across. I push that a little bit and there's my little bit right through there. Cut that as clean as you can. Then I'm going to do the same thing on the other side. Then we're going to check and see that looks good. It looks nice and even. Now we're going to continue with the next section. I have my baseline. I'll start exactly in the middle just like I did the first section. Comb that straight down. And you'll notice when I'm combing the teeth of the comb were away from my fingers and then I hook the comb about halfway through, bring into my fingers with no tension, and then just clasp my fingers right there exactly on top of the previously cut guide. Here we start ending up with where the head is curving. So I have a flat section there, a flat section there, a flat section there. So this section requires three subsections to cut. There's my line underneath. Cut directly on top of that. My next line there, comb clean. Cut directly on top of my previously cut guide. Same thing on the other side. I'm taking little flat sections as I work around the head. Comb that down and through. There's my line from my previously cut. Cut that through. I want to make sure that I am directly on top of my previously cut guide, not cutting it shorter or longer. That's what makes this the hardest haircut to do is you have to mimic that same cut for numerous sections all the way up the head. And it gets more and more difficult to cut it directly on top of your guide. Now our next section, I followed the same pattern, the same angles of section that I was taking. I just took the next flat section up and I will start exactly the same way that I was doing before, flat section in the middle. Oops! And then as I work one, two, three. So I've got three sections on that side. As we'll continue to work down.   Follow us on your favorite social media @jataifeather   I'll continue on my little flat section. There's my parting. I comb T to the parting and cut my line parallel to my parting. Now I'm going through and cutting this as blunt as I can possibly get it because Zendaya has this really solid bob shape and it's going to be different if I was to point cut it. I don't have to be as precise. But with cutting it really blunt I have to really really maintain my precision as I build the shape or it's going to start to look funky. This is kind of a key area right here where we're working over the ear. Now what makes this section so difficult is I have a protruding ear that I have to deal with that can really throw a monkey wrench in my cut line on the bottom, but we'll show you how to deal with that after I start in the center just like I was doing previously. Comb clean. Cut everything through. Okay now as I start to get into the section over the ear there's a lot of different ways that I can deal with this. I can go through and take a section directly on top of the ear cut half of the section behind the ear and half of the section in front of the ear to leave me a little bit of space there to deal with later. Or what I tend to do is comb everything smooth with only tension that I generate from the comb. Once I put my fingers in, no tension, I hold very gently and very lightly and then just push the hair under the ear and then cut my line and if I go through, oops, and check that again and I used tension on it, you start to see a little bit of a hiccup there. That is the hair that is my safety net so that when I blow it dry and clean it up at the end I don't end up with a hole. Okay tilt down a little bit, continue on until I run out of hair.   Give us a thumbs up, click subscribe and the notification bell to be notified of future Jatai Academy content.   Now to separate the front, I'm using the same methodology of using the flat part. So I have this flat. I have the second flat which goes to this curve of the head where at that point all the hair starts to fall forward. Usually, the second flat I take that to the top of the ear. When I start my face framing, the smaller the initial section that I take right through here, the quicker that it becomes a frame. The wider the section that I take as my guide, I get a more heavy bang and then it blends down through and if I look at the photo, it's this heavy kind of bang and that blends down.   Creating the Heavy Bang So we're going to take a pretty wide section right through here, right to the center of the recession. I'm going to elevate off the curvature of the head so that it doesn't end up being a blunt heavy bang but something that flows. So it's got a little bit of layering by me elevating. It's actually going to have a little bit of graduation. So I'll pull that forward. I think I'm going to go right to the top of the lip, right through there. Cut that blunt straight across. Comb the next section into it right next door. There's that. The next piece right next door. There's that. So now as I bring the rest of the hair down, this is the hair that I'm going to use to blend my short piece down to my long piece. The way that's going to work is I'll comb this straight down in natural fall, angle my fingers. Here's my length I'm cutting to. Here's my length I'm cutting from and then I'll softly point cut that to give me a nice blend through. As long as I don't cut this piece I'm fine and I'm going to be okay. All the way down to that corner. Same thing on the other side. There we go. Now as I start to comb this we'll see this heavier kind of bang come in and then we have our blend through the sides. Blending Bangs with the Sides Next piece. This is usually the easiest piece because I just want to make sure everything blends over. So all I'll have is a little bit of hair right there from where it transitions from front to back. And again, I will comb this in its natural fall. There's my line from underneath, point cut that down and through. I have to point cut this unless I go through and blow everything dry and flat iron it and then just free form cut it like this because it's difficult for me to go through and angle my fingers straight enough to cut it blunt. I take a center section for my layering and I'm only going to layer a little bit around the front here. As I hold my first two flat sections up, you'll see my fringe fall out. I'll pull everything else up, take a little bit of that length off cutting it 90 ° off the head shape. Next piece 90 °. There's a little bit of length there to cut. Take a small piece as my guide and as I get to the crown I should have very little if any hair that's going to reach and there's just that little bit of curvature right there. Now I'll take everything on one side. Since I'm doing very little layering it's just enough to take that edge off around the front. I'll take the entire left side of the head, pull everything straight up. There is my line. There is the hair that hangs over. We're going to continue, come here, continue this straight up. There is my line. Cut that down and through and then on this last section there should be very little hair that reaches if any at all, really. Comb everything up. Be patient and diligent. Make sure everything's clean. There's a little bit right through there. Now we'll do the same thing on the other side. We got our basic shape here. Everything's looking pretty good. We got a nice solid bang.   Zendaya Bob Haircut Final Look Let's go through and blow it dry. See how it looks. Here's our end result and uh I think we're looking pretty good. Curl looks pretty good in it. I think we got the curl pattern right. Blunt all the way around except for a little bit of layering around the front. So I'm pretty happy with that. So the whole thing about this haircut is just making sure that bang is heavy and not really uh face framed and really wispy and light. You got to have a heavy bang so that when you brush it back it falls in and fills in nice and solid around the front. Anyway, let us know what you'd like to see in the future. Check out the Jatai Academy. There are all kinds of great information on there that will make you a better hairstylist and barber. And thank you so much for watching. We'll see you next time.   Final Thoughts When we look at Zendaya with short hair or long hair, she knows how to pull off many different looks. From this Zendaya butterfly bob to a Zendaya long bob, she gets it right. But you can recreate these looks as well with some know how and practice. For other bob haircut tutorials, visit Jatai Academy.   Tutorial  

Take a look at this Florence Pugh short hair tutorial. After shaving her head for a movie role, Florence made a statement with her buzz cut at the 2023 Met Gala. As she was growing it out, you could see in various Getty images and other shots of her at Paris Fashion Week she decided to slick back her short hair. And in 2024 with her hair being a bit longer, she showcased her short blonde androgynous style at the Golden Globes. Needless to say, Florence has experimented with a variety of bold hairstyles where she purposefully chose a shaved head to more feminine bob styles. This is what we love about Florence! Her beauty shines through all her styles. Since growing out her buzz cut, she now has long enough hair to have a bob. In this video, we take stab at a Florence Pugh bob haircut she debuted at the Oscars which has a lot of texture and movement. Whether it's looking for cuts for growing out short hair, recreating this beautiful bob or simply learning more texturing techniques, this Florence Pugh haircut will teach you something. Follow along with the video tutorial and transcript.   Florence Pugh Short Hair Tutorial: Welcome back to the Jatai Academy. Today we're going to be doing a study on celebrity Florence Pugh's bob that she wore to the Oscars. This was a grow out haircut for her that she had worn after she had buzzed her head for Oppenheimer. And I think it was elegant and graceful and modern beautiful, all the good stuff. So let's get started. If we look at the bob that she had worn, you know it was kind of a little bit past her chin. Uh a little bit of layering in it to keep the shape round, but she was growing this shape out so it's obvious that it's going to be a little shorter on the top as she's growing it out. And I think that this shape was really really pretty and it was more of a study of texture than it is just a bob. Because if we do just a bob and layer it a little bit it can tend to look really really frumpy. So we have to put a lot of texture in it to make it look modern.   Point Cutting the Length So the first thing I want to do is take a natural or center part down to the occipital bone, occipital bone to the mastoid. That gives me all the hair and the flat part of the back of the head that builds my foundation for length for the shape. I'm going to take a center section, comb that right down in my fingers through there and then determine where I want that length to be. And I'm thinking about right there should be good and I will go through and point cut this from left to right. And then to make it more neutral, I'll go right to left because we know when hair is longer on one side than the other, that's the way it shifts. So I want to make this as neutral as possible. Now we'll take our next section on this side. Uh oh. Don't comb the parting out. Follow that down. There's my line and we're going to go through and point cut that. And you can start to see where this line is going to fall as I get around the front of the face, and I will cut this back and forth to make those little point cuts as neutral as possible. Same thing on the other side. Now if you don't want to go through and point cut this in both directions. I get it. You don't have to but my neurosis I would stay up night thinking about that I didn't cut it as neutral as possible. As I'm point cutting I want a weighty or more solid scissor so I'm using my Jatai Osaka Scissors. This has a nice point, but it's also got a really solid heavy blade so that as I point cut it takes less effort on my part to get a nice clean point cut through it. Once I get both sides even and I got this line the length that I want and the texture that I want, I'm going to now go through and take parallel sections all the way up the head until I run out of hair and cut everything all one length. If you want to see that in more detail check out the Jatai Academy. We have a one length bob tutorial that would be perfect for showing you all the intricacies and the ins and outs of how to do a one length bob very very well. Follow us on your favorite social media @jataifeather   Alright, that's our last piece. We got everything one length like we want. We got a nice clean line all the way around. Start right down the middle.   Florence Pugh Short Hair Round Layering Going to take a mohawk section. I'm going to pull this first section up. And this little bang part that we had previously cut, it's going to fall out and here I want to look at where it's going to fall in relation to her face and I think about the chin is probably a good length and we're looking at about right there. So I'm going to go through and point cut that layering right through there. Now I'm going to keep this layering pretty round on the top and especially around the face, but I'm not going to put a lot of layering in the back. So as I reach this next section which is the high point of the head, that's going to be the last part where I start to follow the head shape and mimic the head shape in my layering. From here I will start to get longer, but I'm still going to hold that section. Come on baby. I'm still going to... oh come on. I know you don't want to get cut, but it's okay. I want to hold that and then angle my fingers away from the head so that my length gets longer as I go towards the back. I'm not going to over direct because then that's going to give me inconsistent weight distribution. The last section here, pull up. You can see my previously cut guide there and then I'm just going to round that out just a little bit right through there. Now we've got our layering guide for both sides. From here I'm going to take a parallel section to my center mohawk little section, and I'm going to continue the same guide that I was working with before by pulling everything into the center of the head. So this is being pulled into the center and following my previously cut guide. Working that all the way back and through. Very little to cut through there. Now I'm just going to take the last section, pull everything up into the center where my previously cut guide was. So it's all going to be held right here in the center of the face and anything that hangs over, which is not a lot, I'm going to cut off. Oops! Oh so close. I almost had it. Pulling everything right into the center of the head following my previous guide, very little reaches if any. Come on. Perfect. So after I finish the layering (I'm on the left side), I'm going to take my center guide and do the same thing on the other side. Now she had already had a little bit of bang cut around the front. So I'm going to go through and section the side out which is the first bump of the head right to the high point of the hairline over the ear. I'll do that on both sides. So basically all I want to do with this is take that little corner off right here around the front. So I'm going to pull this straight down, angle my fingers and then change a little bit of that angle so we have a little bit better blend with our layering around the front. I'm not trying to take my corner off here. I still want a good solid shape there but taking this around the front will make it easier to push back especially as it blends in with the side. Take the rest of the hair on this side, comb that down. Anything that hangs over from that angle that we had previously cut, take that off. Same thing on the face framing on the other side.   Razor Cutting for Texture So now let's go through and add some texture. The most important part to keep this from looking kind of dated and old. Alright, so we've started back at the beginning and this is the same section I started out with initially to cut my one length. This is how I'm going to apply my texture throughout the entirety of the haircut and keep it as consistently as possible. I'm going to use my Feather Plier Razor. This is a razor with no guard so I have to be mindful and careful with that and respect the blade, but it will give me the cleanest cut and the most control. So we're going to section off right in the center like I was doing before. I'm going to comb that into the middle. Now I'm going to come through and about halfway through and down. Go through and channel cut each section so I can force separation into it and only thin about halfway down to the ends. I'm not going to go all the way deep into the root and risk losing control of the root movement. And I'm also not going to go through and texturize every section within this, every piece of hair within this section, because I still want to maintain a blunt shape. I just want that internal texture to lighten it up and give it a lot more movement. Starting in the center again about halfway through and down, trying to not pick up my previously cut hair. Pull that out and through. Channel that through. There we go. We're looking good. Okay moving up the head, following the same pattern, creating texture in the last half of each section, trying not to pick up previously cut hair.   Give us a thumbs up, click the subscribe and the notification bell to be notified of future Jatai Academy content.   Okay here we come to the very last section and I'm trying to still be as methodical as possible and be patient and take my time and get it as consistent as I can.     Final Look of this Florence Pugh Short Hair Look So let's blow it dry and see how we look. You look fabulous girl. Here's our end result. I think we're looking pretty good. I think we got the texture right. I think we got the shape right. The length is pretty good. You know she doesn't have an ear so we had to put a little pin there to keep it behind her ear, but I think the shape's pretty good and I think the texture is right. The razor gives a texture that no other tool can mimic and it's something that you really should add to your repertoire skills so that when you need something like that it's there for you. Just a little bit of practice is all it takes. Check out the Jatai Academy. There are all kinds of great information on there that will make you a better hairstylist and barber. Also let us know what you'd like to see in the future and thank you. Thank so much for watching. We'll see you next time.   Final Thoughts on this Florence Pugh Short Hair Tutorial Florence likes to challenge norms and trends and wear rebel hairstyles. Growing out buzz cut can leave hair in some funny lengths. You can look at Florence Pugh's various styles for ideas on haircuts for growing out short hair. While you can't really make your hair grow out faster, you can gracefully mold your hair into fun and attractive styles. This is one of those haircuts to grow out short hair that still looks amazing.   Tutorial

In this Mia Farrow haircut, we look at her iconic pixie cut from Rosemary's Baby. Also featured in Vogue, this Mia Farrow short hair style created instant buzz due to its very short nature. Mia Farrow in Rosemary's Baby sported this pixie cut 1960s look and since then many others have followed. Learn how to create the Mia Farrow pixie haircut by watching this tutorial and following along with the transcript. Rosemary's Baby Mia Farrow Haircut Tutorial: Welcome to the Jatai Academy. I'm Russell Mayes, Director of Content. Today we're going to go retro with a classic done by Vidal Sassoon himself, the Mia Farrow pixie that she wore in Rosemary's Baby. So let's get started.   Addressing the Sides and Back We're going to start right at the side of the head halfway in the center of the recession to the quarter part. And we're going to go to the drop crown, not all the way down to the occipital bone, but there we're going to take this section on both sides. So since I'm working in smaller tighter sections, a smaller scissor will give me much more control. So I'm going to use my Jatai Tokyo scissors in the 5-1/2 inch variety and then we're going to start with a section that's going to be parallel to the front hairline. Now what I want to keep in mind here is I want to keep a little bit of length over the ear, but I'm still going to crop this in pretty tight. Pull this forward to the front of the section at 90 ° straight up from the head. I want to make sure I leave some length at the bottom and then we're going to go through, cut that straight down and through. Make sure my line is clean. If I need to take that in two sections we take it in two sections. So that gives me my length here around the front and it also gives me a little bit of softness over the ear. I'll take that next section parallel to the first section and I'll comb these two into the center of both of those sections. Hold it straight out. Cut that off. Comb each section to look at it. This section will go right back to the mastoid. I'm going to remove the first section. Now I have the second and third. I will combine those two and cut that down and through. Now we're going to continue that section all the way down into the nape and then this is where it's going to change. So right at the mastoid I'm going to bring my fingers in and taper that in a little bit so I have a nice clean nape. I have a little hair left over the ears but a nice clean taper into the nape. Comb that into the previous. I can remove the previously cut section. Now I have section three and four. Hold that straight out 90 from the head, comb that out, follow through. Once I hit the mastoid, then I'll change my finger angle and taper this in much tighter. So it's going to be a little longer there and then it's going to taper in nice and clean right here in the nape. Follow the same guide as I work all the way back into the nape. So I'm going to work this guide all the way through to the center back of the head until I run out of hair. And I'll keep going until I reach over the center half of the back of the head and I have everything tapered in exactly like I want that fits the head. And I think that that's looking pretty good. After I've gone through and cut both sides, I want to cross check it. And the way I'm going to cross check it is hold it out in the exact opposite way that I held it the first time to cut it. So I'll start here in the nape. I'll comb right there parallel to my hairline. Comb that out. If anything sticks out, I will cut off. I'm not looking for big differences in length and big gaps in it. I want this to be as smooth and as even as possible and the more precise I am with my technique in the beginning, the less cleaning up I'll have to do. And that's what I'm ultimately trying for. That's my goal is to try to get this as even and as smooth as possible in the first pass that I have very very little hair to clean up here on my cross check. If I have big pieces of hair sticking out, I need to go back in and recut that section vertically to make sure everything flows like I want. Follow us on your favorite social media platform @jataifeather   Blending the Top with the Bottom So now after I've gone through and cut my entire underneath, I want to go through and make sure that the top will blend with the bottom before I even start to cut the top. So I'm going to take a parallel section to the previous section that I had where I separated the bottom from the top, comb this down. And exactly like I cross checked it, that's how I'm going to cut this. So I'll take a small section from underneath hold that up and out. There's my guide from underneath. So cross cutting the entire top just to make sure it blends and doesn't hang over the underneath hair. Now how much I cut off is all dependent upon how much hair was there previously on top, how longer that is, how much shorter it is etc. So I'm still continuing to work that through until everything is cut that could hang over. I just find that it's easier for me to cross cut this horizontally than it is to go through and vertically take each section. Because all I'm looking for here is a blend. Check this out. Now we know that everything on the top and the bottom is going to blend. So let's go through and do the same thing on the other side. Make sure that blends and then we'll cut the top. We got everything looking like we want on the bottom half and the top blends now. So now let's go through and take a center section.   Addressing the Top of the Head Now a lot of times when I'm doing short hair I need to make a preference between a round shape or a square shape. Since this is, you know, Mia Farrow and it's a pixie, I want to keep this shape rounder and more feminine. If it's more of a masculine shape, then I may keep it square. So we're going to start with a center section right above the nose. Now I'm going to take this section, pull everything straight up 90 ° off the head and cut everything the same length from front to back following the head shape. So I want to keep everything nice and round and soft. Taking a small piece of my guide from my previously cut section and work that down and through into the crown and the nape. Now we're going to check it on my way back to the front to make sure I got everything nice and smooth. And that's looking pretty good. So now I'm going to go through and take a parallel section to the first section that I cut. Comb these two together and cut right into the center of each of those sections and still following the length guide that I established with my first section. So there's the next two sections, the center and the first new additional section. And now I will follow that all the way through. Now the hardest part about cutting hair is cutting directly on top of your guide and making the next section that you're cutting the same length as the previously cut section without cutting into the previously cut section. Now here I'm going to have very little hair that reaches that top section. Going to use my second section as my guide. Anything else that hangs over will get cut. And since we went through and already established a blend with the side, there should be very little hair to cut. Now after we've cut the right side I'm going to go back, take my center section that I established as my initial guide and do the exact same thing on the other side. So I'll add section one which was the center. I will add a parallel section. I will make sure both of these are cut into the center of these two sections. So I'm basically walking my guide from the center over to each side. Small piece is my guide. Everything held straight up 90 ° from the head and follow that on through into the nape. Give us a thumbs up, click the notification bell and subscribe for future Jatai Academy content.   Mia Farrow Haircut Bangs The Rosemary baby pixie that Sassoon did to her for her movie was really really iconic and it was a blunter more solid shape. So I want to keep this kind of blunt and solid and I'm not going to add a whole lot of texture to it, but I do want to keep the bangs soft. So instead of cutting them blunt across I am going to go through and point cut them just to make sure we can keep her fringe nice and soft. And I'll go through comb everything down into my hand, roll the comb over so that the hair kind of gets combed down and then go through and just deep channel point cut some of this around the front to make sure everything is nice and smooth and gives us a little bit of something to play with around the face but still has that short kind of pixie shape. There we get that. Cut that. Cut this. You have less hair over here girl. Do you sleep on the right side? I bet you sleep on the right side. There we're going to go through a little point cutting just around there to make that blend through and I think that that's looking pretty good. Now let's go through and dry it, take a look and see what we got. See if we need to add some more texture.   Final Mia Farrow Haircut Look Here's our end result. I think we got a really nice solid shape without it being chunky and lumpy. I think making it fit the head is really really important. And you know I think Sassoon really hit this haircut out of the park when he did it for her for her movie Rosemary's Baby. And I love this. This is one of my favorite iconic shapes and just follow through. Practice and you'll be able to do the same. Check out the Jatai Academy. There's all kinds of great information on there that will make you a better hairstylist and barber. Let us know what you'd like to see in the future and thank you so much for watching. We'll see you next time. Final Thoughts on this Mia Farrow Haircut The Mia Farrow Vidal Sassoon haircut was an iconic haircut that has stood the test of time. Since then, there have been many other celebrities with pixie cuts. The style is popular among those who can pull it off. We hope you learned one version of how to pixie cut hair. Note: This is not a tutorial on how to trim your own pixie cut. To do this is much more difficult since you cannot see the back of your head easily. Making sure the hair is even all around is difficult to do by yourself.   Tutorial

In this layered lob with wispy bangs haircut tutorial, Russell Mayes, Director of Content for Jatai, teaches some easy to understand and useful techniques for how to create a blunt bob shape but with internal texture on straight hair. This techniques used in this video are best for thick hair and not necessarily thin hair or fine hair. Long bob hairstyles can be complemented with curtain bangs, side swept bangs, choppy bangs or in this case wispy bangs. Or you can have no bangs at all. The versatility and options are endless. Long bob haircuts can be made into curly bobs, angled bobs or layered bobs. Lobs work with many face shapes and different hair colors. The blonde bob style is very popular on Instagram and other social media platforms. Whatever length bob you're going for, the techniques used in this video could apply. Watch this layered lob with wispy bangs tutorial and follow along with the transcript below. Layered Lob with Wispy Bangs Tutorial:   Welcome back to the Jatai Academy. Today we're going to be doing a lob with bangs. Now long bobs with bangs can tend to get boring and look kind of broom-ish if the hairs too thick. So I'm going to show you how to add some invisible internal texturizing to keep that from happening and also we're going to do a little whisper of a bang. So let's get started. We're going to start with a natural or center part that's going to go all the way to the crown, from the crown to the occipital bone, occipital bone straight to the bone right behind the ear which is the mastoid. I'm going to separate that. That's going to give us our baseline in the nape. From here we're going to separate this in half parallel to my previous parting here which is the occipital to the mastoid.   Establishing the Perimeter of the Layered Lob with Wispy Bangs So the first thing I want to do is establish my strong perimeter shape for my lob. This is going to give me a nice clean line that I can build the rest of the haircut off of and make sure I get the sides even. So trying to get this as blunt as possible. I'm going to go through and use my Jatai Kyoto Scissors. This is the sharpest scissor that I have and it works really really well for cutting blunt lines especially if you have really really thick hair. So we're going to start right in the middle, comb that down clean and smooth and I like a lob that hits right about at the collar bone. So I will visualize where that's going to hit in the front because it's going to be a little longer in the front because of my parting. And so I will visualize about right there. I keep my fingers curled down not curled up and cut this as blunt as possible. After I get that cut and I like that length I will move on to the left side and comb this T to my parting. So there's my parting. The hair is going to make like a little T. Comb everything down and smooth. There's my line. Cut that down and through and then the same thing on the other side and as long as my partings are the same and I follow my fingers parallel to the parting and T to the part I should be able to get this pretty even on the first pass. So after we cut both sides I'm going to comb it down and check it and I got a little longer on the left side. So much for keeping it even on both sides. So we're going to comb this down again make sure that I'm square. There it is right there. I had my fingers at the wrong angle and there we go. That should be perfect. Now depending upon the thickness of the hair I may want to start adding texture here or building a more solid baseline. The more thicker the hair is the faster that I can start to introduce texturizing to keep it from looking like a broom. So her hair is you know fairly medium, medium thick and so what I want to do is I'm going to go in between. So I'm going to add a little bit of texture and softness to it but not a lot. The way I'm going to do that is by point cutting. So I'm going to comb this section down, find my guide. Now I'm going to go through and point cut that line. Now when I point cut the line I'm not going shorter than my previously cut guide. I want to make sure that the deepest part of my point cut is where my previously cut line was and then the hair gets longer from that. I don't want to go through and recut my baseline by point cutting all the way into it because then it makes no difference if I've cut it blunt or not. Follow us on your favorite social media @jataifeather Point cut that on top of my previously cut guide. Be patient. Make sure it's nice and even. This is going to give me a little bit of softening and a little bit of texture and give me a transition between my blunt cut and my texture cut. You notice that I'm cutting from the center to the front of the hairline around the face on both sides. I'm not cutting from right to left on every section. I want to cut from center forward on every section. Being patient, fine-tuning making sure I get the line just like I want. So here's our next section. We took about an inch. We're going to continue that same size section throughout the rest of the head and that way I can keep everything as consistent as possible.   Adding Invisible Internal Texturing Now we're going to go through and we're going to add our internal texturing that's going to be invisible to the overall shape but is going to give me a lot of internal softening and movement and it's going to bevel the shape quite a bit and that's what we're going for. So I'm going to use my Feather Styling Razor. So now we've got our section. I'm going to go through and comb this down. I'm going to remove my baseline that was blunt cut. I have a guide from my previous section that was point cut. I'm going to hold this straight down and then from here I'm going to fillet this section and put my texture internally. Now I'm doing about the last 2 to 2-1/2" of the section and by filleting, I mean I'm laying the blade directly across the entire section and just gently taking that off until I get the length cut. Next section. I'll take a small piece as my guide. There we go. There's my guide from underneath. I'm going to go about 2-1/2" internally, fillet that through. The reason I'm not going to go through and cut vertically going into it is I don't want the separation. I just want the softness that the texturizing adds. I don't want the increased movement or separation. So comb that down. Last two inches a very gentle application of the razor. Let the motion of the blade cut the hair not the pressure that you're applying. Now you'll notice that I've left my previously cut baseline out. That way I maintain my solid perimeter shape and I only put my texturizing internally. If it happens to cut a little bit of the guide from underneath it's not my entire baseline. It's just that previously cut section that I went through and point cut. Okay that's looking pretty good. So now we've got a layer of internal texturizing that's going to soften up and bevel my shape.   Remaining Sections of the Layered Lob with Wispy Bangs The next section I'm going to go through again with my Kyoto Scissors and cut a nice blunt clean line. So I will alternate the types of tools that I use by each section that I go up the head. So I can maintain a blunt lob shape but also get that internal texturizing to make the shape bevel and flow and move more naturally. Let's go to the other side. T to my parting every section. Give us a thumbs up, click suGive bscribe and the notification bell to be notified of future Jatai Academy content. Let's check and see how we're looking and that's looking pretty even and I like that. We've got a nice softening effect from our first two layers of texture by the point cutting and the razor. And now we're going to continue on as I move up the head. This section is usually where the thickest part of the hair is. It's either going to be the nape or the crown sometimes both. And so I want to make sure that this doesn't get real heavy but also I run into the problem of I have no hair on the side of the head. So I'm actually going to use two tools on this same section. Now I'm going to start right in the middle. I'm going to remove the previously cut hair and I'm only going to hold the previous guide in my hand. That way I comb everything straight down. There's the previously cut guide. I'm going to take my razor, a long filleting type of stroke to take that length and weight out and I'll continue that as I start to work towards the side. Make sure I'm still holding everything at zero elevation as I cut that down and through. Feel like I got a little shorter in there so take a little of that out. Now as I come to the ear I'm going to take where the quarter part would be and separate that out. Take a small piece as my guide. So now I have the back half of the head. There's my previously cut guide. Go through cut that length off. I'm pretty happy with that. Now I'm going to move into my Kyoto Scissors because here I want to maintain a really solid perimeter shape and if I razor it , it's not going to have that same solidity as it transitions from the back to the front. Comb everything down. Allow the hair to release for whatever the ears sticking out. There's my line from the back. Cut that down and through. And I can see where that would start to hit right at about where her collar bone would be. And I'm pretty happy with that. Now I'm going to do the same thing on the other side. But I'm going to follow the same methodology that I was using before which is take my section in the center, remove the previously cut hair, only keep one section as your guide, comb that all the way through evenly down at zero elevation. There's my line. Razor that off. Okay and then follow the same thing all the way around to the side. There we go. Last section here. Remove some the guide. I don't need all of it. I just need to know where the general length is. Comb that down and through. There's my line right there and then go through and fillet that length off. Now I'm just going to continue to alternate blunt section, razor section, blunt section, razor section until I get to the top. And on the top, I want to always make sure I end on a blunt section that way it hides any kind of texturizing and layering that I put internally by it being blunt underneath and blunt on the top. So the layers that get sandwiched in between they disappear. So I get the effect of the razoring and the beveling without the appearance of the razor and the texture.   Whisper or Wispy Bangs Now I want to go through and add a little whisper of a bang. I don't want a real solid blunt bang to make it look super 60s. I want kind of a modern whisper of a bang where it looks like hair is just kind of just broken off maybe around the front. That's a terrible way to describe it, but that's what it looks like. It's just like little whispers of something hanging out around the front. So let's go through and take our fringe section which is going to be the center of the recession to the first bump of the head and that's where all the hair has the ability and the tendency to fall in the person's face. So here's our fringe section. Now let's go through and I'm going to separate corner to corner right across the front. Now I'm going to start right here in the middle and what I want to do is do a really extreme angle you know because most bangs are blunt or at a little angle like that. But I want to do a really extreme angle so I'm going to take right where the hair wants to separate and take my Feather Styling Razor hold that down and start right here where I think I want my little bangs to start and then just real gently go through and take that all the way really extreme. So I end up with just a little something here in the front but not a real solid bang. Now I'll do the same thing on the other side. Hold that down and forward. There's my little guide piece then just real gently go through and try to keep the same razor stroke that I had on the other side to hopefully that they'll match a little bit. So I'm going to take the rest of the hair bring that down and then just gently anything that I think hangs out way too much I'm going to cut that off. Following the same pattern that I was doing before same kind of methodology just to give me a whisper in the center more than a full-blown kind of fringe or bang. I think that's pretty good. Now after it's dry, I may go through and fine-tune that a little bit more, but I will let the hair be the guide and show me what to do. We've got a nice solid bob lob shape that doesn't have that broom effect from the hair being too thick. So it's got a little bit of bevel, but it doesn't really show a whole lot of texture to it because that's hidden by the top layer being real solid. And we got a... yeah it looks pretty good. I like that. We got a nice little whisper of bang around the front, not anything too crazy. Just more like you know it just grew this way, just a natural elegance that I think looks pretty good. I like that a lot. Please check out the Jatai Academy. There are all kinds of great information on there that will make you a better hairstylist and barber. Also let us know what you'd like to see in the future, and we will see you next time. Thank you so much for watching.   Tutorial

There are many different mohawk hairstyles such as a wide mohawk haircut, mohawk fade haircuts, mohawk burst fade, short mohawks, long mohawks, curly mohawks and more. The mohawk style changes in look by how the hair is cut on the sides and the length of the hair down the middle that comprises the mohawk. You can have shaved sides, a low fade or taper fade on the sides. The mohawk hair length is often determined by how thick the hair is. If it's thin, it's best to have short hair. But with thick hair, you can have longer hair. Styling the mohawk also contributes to the style, which can make it more modern or edgy. Mohawks can be on straight or curly hair. And why not pair a mohawk haircut with a touch of hair color. The possibilities are vast. In this educational tutorial you will learn how to create a softer version of a wide mohawk using scissor over comb and a Feather Plier Razor. Watch this wide mohawk haircut tutorial below and follow along with the transcript below. Wide Mohawk Haircut Tutorial: Welcome to the Jatai Academy. I'm Russell Mayes Director of Content for Jatai. Today we're going to be doing a wide Mohawk. We're going to show you how to make the mohawk softer, how to make it harder, how to make it in between, basically how to make it more you. So let's get started. We have our Mohawk sectioned out, and I tried to get it as even on both sides as I could. And I wanted to keep this wide. Now I have a lot of variation and there's a lot of different things that you can do on this depending upon what kind of look you're going for. I want something wide so I'm going from right at the corner of the eyes on the outer part all the way back down to the tendon and the neck. I want to try to keep that as straight through as I can and try to match that on both sides. Now from here I'm going to go through and I'm going to cut all of this off and again you have a lot of variations on how you can deal with this hair. We're going to start from something that's going to be very soft and then we can go to something that's going to be very hard. So the harder that the end result is the more edgier that the look is going to be. This is going to be a very edgy look regardless of how you cut it, but sometimes the hair demands a little softness in the cut. Sometimes it demands that it's a little harder because the hair is a little frizzy or fuzzy and the harder textures work best.   Scissor Over Comb So let's start with just some basic scissor over comb. So I'm going to start with my Jatai Tokyo Scissors. This is a nice long skinny blade that makes it perfect for doing scissor over comb type of work. Now when I have this much hair it's senseless for me to go through and start my scissor over comb trying to get everything smooth with this much hair so I need to remove it. I can do the very very methodical method where I'll take a vertical section and go through with my fingers and cut everything short. If I need to practice my traveling guide that's what I'll do. And that would look like this. So I'll take a vertical section at an angle, pull that out, finger length, support the blade, go through cut that straight up and down. And then my next section, the exact same size of parting as the first section. I comb these two together. Where that length is I'm going to follow that all the way through. Next section, same size as the original two sections, comb everything into the previously cut section, cut that down and through. And then I can practice my traveling walking guide from front to back. Or I could do the more crude method where I just hold it up and cut some of this length off. Since I'm going to be scissor over combing all of this length off anyway there's no sense in me trying to work through all of that if I don't need the practice. If I need the practice like on a mannequin head, definitely get the practice in. Now I'm going to start going through and scissor over combing, going shorter around my perimeter hairline gradually getting longer as I go up. Here I'll put my comb right in the crotch of my pinky and ring finger, thumb and forefinger on the spine and the teeth and then it's this twisting motion here. So I want to get into a rhythm going down and then up, down and up, down and up. And I'll start very close at the nape, at the bottom perimeter of the hairline and gradually get longer. I'm not getting real long as I go to the top. I just want a little bit longer as I go to the top of the section. And I'm not worried about how perfect this is right now. I'm just going through the motions of getting everything removed and starting to build in my fundamental shape. Now this is a very very crude shape but what it allows me to do is it allows me to start getting rid of the excess hair and start building in the type of tapering that I want. I don't want to look at this as just lay the comb against the head and cut everything the same length as the comb all the way up. I want to have a little bit of a design aesthetic. So I'm going to lightly taper it. So once I start to get the basic shape like I want, I have everything in the general vicinity of the length that I want. At that point, I will start to fine-tune my shape and fine-tuning my shape just means I'm going to go over and trace what's already there. So I'm going to try to make as repeatable as possible the exact same length. And sometimes I'll cut some hair and sometimes I won't. Sometimes it just glazes over and sometimes I get a little bit of hair to come off. And it's not a matter of me visually having to see hair come off. It's I'm looking at what's being left. That's the key thing. So I want to go through and make sure everything is as nice and as velvety smooth as I can possibly get.   Give us a thumbs up, click subscribe and the notification bell to be notified of future Jatai Academy content.   Cleaning this up around the hairline a little bit more making sure that's nice and smooth and just go through. And anywhere that my eye visually sees something pop out, I want to go over and retrace that. Now I can hear you saying 'well why don't you just go through and use the clipper to buzz everything off' and I certainly could go through and do that and I have certainly done that many many times when the style and the aesthetic calls for it. If I use a clipper it's going to cut everything much more perfectly and the end result is going to be a much cleaner harder shape. So like I said, if the hair is fuzzy that cleaner harder edge works better. If the hair is not and I want something softer, then scissor over comb will give me a softness to it that I can't get from a clipper. And so I'm going to keep going over this until I have everything exactly like I want and as clean and as pristine as I care to do. Working the other side, we're going to work the clipper. It's the same thing I was doing with the scissor over comb, but this time the clipper. Just lay the comb in, angle the comb at whatever type of graduation that I want, run the clipper across the comb. Now when I run the clipper across the comb, I don't want to press the comb and make it move in. I just want to trace the comb with a gentle stroke across the teeth. I don't want to try to push it in. If I push it in, it gets shorter than I think it does and then everything ends up a little bit too short. So start here at the bottom working my way slightly longer as I get to the top of my parting. Make sure our sides are matching there. We've got a little bit right through there and the same kind of motion that I was doing with the scissor but this time using the clipper and it goes much faster which is good for time and good for speed. And it also gives me a stronger harder shape. How soft I want this shape will determine what type of method or technique that I'm using to get everything fit in nice and smooth.   Follow us on your favorite social media @jataifeather   Cutting the Mohawk Length We've gone through and taken a center section of our top all the way down through into the nape. I'm going to take this section. I'm going to pull it forward and up and out 90 ° from the head and I'm going to determine how short, where I want this to fall around the front. Determine where I want that section. Now I'm going to go through point cut that all the way through. Take a small piece as my guide. Take my next flat section hold that 90 ° from the head, point cut that all the way through, take a small piece as my guide 90 ° from the head. Now once I hit the crown I'm going to start to increase my length. So the crown is right here. I'm going to start to gently increase the length and as I get further into the back, that length is going to increase quite a bit. Still holding everything at 90 ° from the head. So I'm not dragging anything up, but I am increasing my length as I get down to the nape. 90 degrees there we go. Small piece is my guide. My next piece there's my length all the way down and through. So now we've increased the length, but we still have it nice and short up here on top. Now from here I'm going to comb the entire left side of the head into a combination of my first and second sections. Comb this up, follow my guide, original guide from the center of the head. Small piece is my guide. My next section held up at 90 again. There's my guide from the center. Comb that through and over, small piece as my guide. Once I reach the crown, remember my length increases so I look for that in my previously cut guide. And there it is right there still making sure that I'm holding everything as 90 as I can in the center of both of those two sections. Comb this up at 90, pull that through, follow that through. A small piece is my guide, center of both of those sections. There we go, cutting that through. That's looking pretty good. I like our length on top. We can still get that to stick up, but I like this length in the back as well. Now I'm going to go through and do exactly the same thing on the other side.   Razor Cutting the Wide Mohawk Hair Now at this point I want to go through and use a razor. And since I'm using a razor, I'm going to use my Jatai Blade Glide just to give me a little bit of extra conditioning and to make sure that the blade glides through the hair and cuts really really evenly. So I'm going to start here at the bottom in the nape, take a horizontal section. Now I'm going to go through and use my Feather Plier Razor. It gives me the cleanest cut. It's a guardless razor so there's no guard. So I have to be careful to not cut myself, but this will allow me maximum control of where I put my texture in each section. So I'm going to comb this clean from the root all the way out and I want to go through and take out some of that weight and force these pieces to separate more tenderly. Take another horizontal section. Do not pick up the previously cut section from underneath. Comb this section out and down. Take my blade, go through create internal texture and separation with my Feather Plier. Next section. Work up. Do not pick up the underneath. And I'm just going to continue to do this until I reach the front run out of hair.   Final Look of the Wide Mohawk Aright, here's our end result. I think we're looking pretty good. We got a little bit of curl in it to give it a little bit of bump and some separation. I got some clay into it to kind of give it some oomph to make it full and I think our shape looks pretty good. We got it nice and wide from the corner of the eyes all the way straight down to the nape which gives us this wide full shape that can handle the curl really well. You can certainly go straight and make it really really edgy and hardcore, but I think our shape looks pretty good. We got a nice little bit of curl to it and I'm very happy with that. Check out the Jatai Academy. There's all kinds of great information on there that will make you a better hairdresser and barber. Also let us know what you'd like to see in the future and thank you so much for watching. We'll see you again next time.   Wide Mohawk Hair Cut Final Thoughts Whether you want to create a high or low fade mohawk or more modern mohawk hair styles, the mohawk cut has been around for a long time. Always, known for being an edgier cut, most mohawk styles for men are done with shorter hair these days. Women can sport a mohawk as well, but it is much less common. With this tutorial, you can adjust your mohawk style for shorter hair down the middle and widen the mohawk even more for a more subtle mohawk style. There are many different styles for mohawks so get creative and enjoy the process.   Tutorial

In this video, you'll learn how to create a Selena Gomez bob. With her naturally thick hair, it's important to get the technique down to keep the hair sleek and manageable with little movement. To do this Russell uses Jatai Osaka Scissors and Jatai Tokyo Thinning Scissors to complete the look. Selena Gomez is one of the biggest pop stars of the 2010s and beyond. Her impressive Instagram following @selenagomez, her successful Rare Beauty line, her singing and acting have catapulted her to stardom. She has become one of the faces of fashion not only in her clothing but with her hair. Looking at past Getty Images, her time on the red carpet and film festivals, Selena has debuted many different hairstyles. From bobs to long hair, blonde to dark hair and bangs to no bangs, she marches on to her own beat. Follow along with the video and the transcript.   How to do the Selena Gomez Bob:   Welcome to the Jatai Academy. Today we're going to be doing a one length bob that's inspired by Selena Gomez. Now Selena Gomez has a lot of hair. So in order to create this nice sleek one length bob we're going to have to introduce some texturizing. So I'm going to show you how to do that today that thins the hair keeps it sleek and smooth without introducing any kind of movement. So let's get started. I always like to start with a little bit of Jatai Blade Glide. It makes the hair easier to comb. It puts a slight conditioning effect to it, constricts the cuticle and gives me a cleaner cut. Now we're going to start here with a natural or center part right down the middle and I'll brush everything back and push forward and see where it wants to split. I'll take that all the way down to the center of the nape and then from there I'll take the occipital bone over to the mastoid. That gives me a flat section in the back using my Osaka Scissors from Jatai. That's the blade that has the nicest point. So it makes it easiest for me to go through and point cut. The more pointy your scissor is, the easier you'll get a point cut and it'll be cleaner an you can go deeper onto it. So we're going to take a center section. We're going to comb this straight down the middle. Now I'm going to put clips on the hair on either side just to get the hair out of the way. It wants to keep falling in my hands.   Point Cutting the Perimeter So now I'll comb everything down straight from the part, straight down, make sure my fingers are not flipping and then I'll go through and do a deep point cut. Because the whole idea behind this bob shape is to prevent the hair from bulking up and building a bell type of shape. I don't want this to stack and have all this fullness. I want a sleek kind of shape. So going through and doing a deep deliberate point cut like this will enable the hair to collapse a little bit but still retain the bob type of shape. So I'll go through point cut center towards the front. So in the middle I'll point cut that, doesn't matter. But on each side I'm always point cutting from the center towards the front so that way the movement is going to be the same with each of my point cuts on both sides of the head. If I always point cut from left to right, then the left side of the head is always going to move to the right.   Point Cutting the Next Section Taking my next section which is going to be parallel to my previous section and then taking my center section where I started and using my guide from underneath to cut the one length exactly like I was doing before. Now when I comb everything down since I've been point cutting, the line of my guide is not going to be real prevalent. I'm going to see kind of a ghosting of the image of the previously cut guide and I want to use that to mimic what I'm point cutting on top of it. Now here again point cutting from the center of the head towards the front and I'm not being real persnickety and diligent about making sure I'm directly on top of the guide. The more variance that I have in my line that I'm cutting, the more sleek the shape can be, the less stacking effect that I'm going to get.   Be sure to click the thumbs up. Click subscribe and the notification bell to be notified of future Jatai Academy content.   Now I'm just going to continue on with my section from the center working towards the front making sure that looks good. We're going to do the same thing on the other side. Now I always am cutting parallel to my parting and I will continue to comb that clean from the parting all the way down until I get everything nice and smooth. And something else that I want to expand on here is that my partings are just as much of a part of my guide as the actual previously cut guide is. So every parting that I take my fingers are going to be parallel to the parting. So the line that I'm cutting is actually the line that the parting is. So if the parting is at an angle, my fingers are in an angle, the line I cut is at an angle. So that way as long as I know that my parting is the same on both sides and I have everything nice and balanced it makes it a lot easier for me to make sure that the sides are even.   Point Cutting the Top of the Head Now here when I start to move up to the top of the head I'm not taking my quarter part. I'm going to take that part all the way around from the back into the front and to the side. I want to make sure that's parallel to my previously cut section and the same on both sides. Now I'm going to comb everything clean and I'll keep combing until I get everything perfectly smooth and clean and then go through and clean up my line just like I was doing in my previously cut sections. I want to make sure that I'm keeping the same depth of my point cut as I go through. Now if I need to clean a little bit up I'm cleaning a little bit up, but I'm not worried about everything being perfectly pristine. I want some variation and some softness in the line. So now we're working from the back into the front and continuing to work from the center towards the front with my point cutting. Here, the last section, combing everything down as evenly as I can around the parting and around the natural center part and the crown, and just anything that hangs over we're going to cut off.   Be sure to follow us on your favorite social media @jataifeather.   Flat Ironing for the Selena Gomez Bob Sleek Look Now after we've gone through and we've done our base cut, we're going to go through and blow everything dry, get everything up off the scalp as we dry it and then I'm going to go through and flat iron it. Now when I flat iron I'm going to flat iron in exactly the same way that I cut it so horizontal sections. I'll lift the iron up on the bottom as the iron touches the hair and then close the top down and pull with my left hand to make sure everything is fed into the iron nice and smooth. Now we're going to take a vertical section in the center of the back and I'm going to hold this out vertically.   Removing Internal Weight So section that hair out of the way. Get it out of the way. I'm going to hold this out vertically and going through and using my Jatai Tokyo Thinning Scissors. I'm going to go through and about 2 to 3 inches in just go through and point cut some of that internal weight out. I don't usually go deeper than about halfway and here I'm keeping it about a third of the length out. So just going through removing some of the weight from the ends. I'm not trying to remove so much internal weight as much as I'm trying to remove the weight from the ends. Now here in the back of the head you can remove a lot more weight without any kind of fear of any alfalfa sprouts sticking up or anything kind of getting out of control because that hair will always hang straight down. As I move up the head I take the next section. This is more or less the parietal ridge. I'm going to hold that out at the exact same you know elevation and then go through and point cut that through. Now as I start to point cut this through I'm taking it a little deeper at the bottom of the parting and then as I get to the top of the section I take it more towards the tip. So I'm thinning more underneath and less on top. And here you'll see I'll start deeper and then just go toward the tip on the very top because I don't want a lot of texturizing on the top surface layer of the hair. I want this texturizing underneath to remove weight so I can still keep a nice smooth slick shape without all that bulkiness of someone that has a lot of hair and it getting very broomy. Here on the last section, I finish everything up on the last section. I'm going to comb everything down. I tend to not do a whole lot of texturizing on the top layer. Just make sure everything blends there. I want to keep that top surface layer very very smooth and very very glassy.   The Final Selena Gomez Bob Haircut Look Here's our end result. I think we got a really nice sleek, smooth head curving kind of style for someone that has a lot of hair. That's the way I would go through and texturize it and remove weight without introducing any kind of movement to it. Please check out the Jatai Academy. There's all kinds of great information on there that will make you a better hairstylist or barber. Let us know what you'd like to see in the future and we will see you next time. Thank you so much for watching. Tutorial

In this short layered haircut with side bangs video, we take a look at how to create layers in short hair without it looking like a bubble. With short hairstyles, it's easy for it to start to look like a bubble when you start adding texture and layers. Layered haircuts, and in particular short layered haircuts, you may want to approach it differently. Russell Mayes, Director of Content for Jatai, creates the perfect short haircut with side swept bangs, reminiscent of the wedge haircut. This type of cut can be dome on straight hair, curly hair or even wavy hair. The wispy bangs are created as a result of combing the hair to the side. This haircut is not one you can easily do at home on yourself. View the video and follow along with transcript below.   Short Layered Haircut with Side Bangs Tutorial: Welcome to the Jatai Academy. Today we're going to be working on layering short hair. Layering short hair is a different mindset than layering long hair because it's real easy to get the shape kind of blocky and not have an even amount of volume. So I'm going to show you how to have a nice beveled full layered shape on shorter hair today. So let's get started.   Building the Shape at the Nape So I got my first section in the nape. It's you know enough hair that I can start to see my shape and build a good guide, but it's not the entire section. Some hair requires more section. Some hair requires less. So take whatever is appropriate for you to be able to build a solid shape and cut a clean line. I'll take a center section and I'm going to go in with my Jatai Tokyo Scissors. This is the 5 1/2". I think that this scissor is the best all around scissor that you can get. For the price, it's got a nice sharp blade. It's pointy enough that I can get a real clean kind of cut if I'm detailing. But it's not pointy so much that I will jab my finger every time I try to cut in my hand. I'm going to start right in the nape with the comb away from me. Comb into my fingers and then I will go through and point cut a line straight across. From there I'll use my comb. I got a little graduation from holding it in my finger. I will go through and cut that graduation off following the guide that I just put in. So anything that hangs out underneath that, I'll cut off. So I've cut this straight across.   Beveling the Line Now I can make a creative decision. Do I want to go longer in the front? Do I want to go neutral in the front? Or do I want to go shorter in the front. On this particular shape, I want to round that out a little bit so I'm going to angle my fingers going up a little bit. So I use that corner and then angle that line going up towards the face. This is going to give me a little bit of a curve in the back as it starts to come around from the back into the front. Do the same thing on the other side and try to match it. This is the hardest part when you're starting to bevel is to match the angles on both sides. So I may go a little longer than I think on this side knowing that I can go back and cut a little bit more off to make it match the other side. So the next section that I take, I take half of what I had already sectioned out. Now from here the first section I held straight down here. Here I want to bevel this shape and curve it as I go up so it gives me a little bit more softness as I put my layering in. Now I'll put two fingers underneath where before I had one. Now I have two. So I'm lifting this a little bit higher following the previously cut guide as I go across cleaning it up going the opposite way. So now I'm starting to bevel that shape and I will follow the same line that I cut on the other side. Two finger elevation. There's my line from underneath. Oops! There we go. We've got that. Same thing on the opposite side. Two finger elevation. There's my guide. Follow that through. Take the center, elevate. Now to three fingers. There's my line in the middle. Follow my previously cut guide. Same thing on both sides.   Follow us on your favorite social media @jataifeather   After I finished the nape you can start to see I have a nice little bevel going, but I still have a good solid shape. And I'm going to continue this same method until I run out of hair. So I will take a parallel section to my previous parting. Pin that out of the way and go through and do the same thing.   Beveling from Back to Front But instead of using my fingers, because I've already used three fingers in the bottom, I'm going to start using the head shape. So the head shape is going to show me the elevation that I need to hold each section as I start to go up the head. There's my elevation. There's my line from underneath. Point cut that through. There's my line from underneath. Cut that all the way through. You see my shape beveling up through there. So I'm very happy about that and there we go. As I continue to work up I need to add a little moisture to the hair. Instead of using water I prefer to use a cutting lotion, and my cutting lotion of choice is Jatai Blade Glide. It gives a nice fine mist to evenly moisturize the hair, add a little bit of dampness. Also, it constricts the cuticle and gives you a cleaner cut. Now we're working on our last section and I'm continuing the elevation at whatever was at the top of the parietal ridge or the drop crown which is right there. This allows me to maintain a good solid beveled shape here underneath. I can always modify that more with my layering when I get to that point. I'm going to take a natural part and find the high point of the head where the head peaks. From there I'll take that right behind the ear on each side going to the mastoid process. After I've got the back sectioned off I'm going to go through and take a center section right down the middle. From here I want to visualize where I want the shortest layer to fall. So I'm going to pick this up and kind of look and see where it's going to want to fall. So there's that right there. So I can always go back and take more off if I feel the need. So always error on the side of it being a little long than the error on the side of it being a little short. I'm thinking that's okay. And from there I will now continue to go through, hold everything out 90 from the head. Small piece is my guide and follow that all the way through until I run out of hair and I reached my bevel. Small piece as my guide and there we go right there. We're going to meet in the middle and blend everything through. I'll pivot from the center over towards the right, combine the first section that I cut which was my guide with the second section, hold that 90 ° from the head. There's my guide in the middle. Cut that through. Remove most of that. Have a small piece as my guide. Comb these two in the center. Cut that down and through. My next section, there's my guide from underneath. Looking pretty good. So now I've got my first two sections done. I'm going to remove the center section that I just took, the first section I cut. Now I have my second section. I'll add my third section to that and continue to pivot until I get over to the quarter part. There's my guide from underneath. Small piece as my guide. Pull that up and out. There we go. And follow that all the way around to the side. My last section here on the right side. There is my guide from underneath, the previously cut guide. Pull that little bit out of the way. Take my next section, the center of both of those sections. Blend that through and there we go. And I think that that's looking pretty good. So now let's go through and do the same thing on the other side. This is the last section on the opposite side. Pull that straight up. There's my guide in the center. Follow that on through.   Give us a thumbs up, click subscribe and the notification bell to be notified of future Jatai Academy content.   And we're finishing up there. That's looking pretty good. I want to keep this front fairly solid, fairly heavy. I don't want to layer this all the way around the front because I think it's going to make it look like a little bubble. So what I'm going to do is I'll take a parallel section to my quarter part which I sectioned off for the back. I'll take a parallel section to that and continue to pull this hair back to the previously cut hair. So I'll pull this back straight up. There is my guide. Cut that straight across. Small piece is my guide. Work this over to the right continuing to pull everything back past the quarter part into my previously cut hair. My previously cut section, combing this hair back into that section. There's my length. There's my guide. Cut that down and through following my guide from the back. Now since none of this hair up front will reach I'm going to continue to pull everything back into my previously cut section and cut that through and across. Small piece is my guide. Pull everything else back to my quarter part. Anything that sticks over cut off. That's preserving my length around the front of the face. Same thing on the other side. Come here baby. A lot of times on these mannequin heads they can be overly thick and a little stiff and it needs some texturizing to lighten it up. But a lot of clients have thick hair too. So, on finer hair you may be done. You may need just a little lightening and softening on the ends, but on thicker hair you really need to remove some weight internally to give the hair a little bit more lightness and movement to it.   Softening the Shape So I'm going to go through with my Tokyo Thinning Scissor which has enough teeth to remove some hair but not so much that you start to see gaps and lines in it. It's seamless so I can go through and really remove a lot of hair in a soft way. So I'll go through and take a vertical section right here on the side. I'll pin this out of the way so it doesn't get in my way. I may take half of that and then from here about halfway and then feather that out through the ends. Depending upon the thickness of the hair will determine how many times I hit it with the thinning scissor. I want enough to soften it but I don't want so much that I destroy my shape. If you're worried, start somewhere in the back so if you over thin it, it's not right in the front. When I go through and texturize I don't want to do more than about halfway. Maybe underneath I can go a little bit deeper but here on the sides and the top about halfway is about as deep as I want to go. Now by going through and doing this with my blade parallel to the head, all that's going to do is remove weight and add softness. I'm not introducing any movement to it by angling of the scissor. About halfway. And go through and thin. There we go. So now I'm just going to go through and continue this throughout the entirety of the head. Refine my outline and clean it up and give it a little bit more interest. Make the shape a little bit edgier and stronger around the perimeter. Because the last thing I want is like a little bubble-do which short hair with layering is really easy to get just like little bubble shapes. So one part of it has to have some kind of visual interest whether it's more length somewhere, either the front or the back. The bangs got to be short. You got to have a little corner around the front. You got to have a little something so it just doesn't look like a bubble. So that's why I pulled all the hair in the front back to give me a little bit more length around the front, especially around this little corner here which I'm going to carve that shape out a little bit more. And I think that once we do that we'll have a nice pleasing modern kind of shape. We got nice volume. We got some nice layering throughout the back. That's a nice beveled pleasing shape and uh we got a nice little interest around the front. I'm going to take a little of that off right through there. I don't like that but there we go. Anyway, that's a good way to layer shorter hair and still keep a nice even shape to it. Please check us out at Jatai Academy. There's all kinds of great information on there that will make you a better hairstylist and barber. Also, let us know what you'd like to see in the future. Leave a comment below and we'll get right on that. Thank you so much for watching and we'll see you next time.   Final Look of the Short Layered Haircut with Side Bangs After styling the hair and creating an offset part, this creates some side bangs. FYI: The very short bangs in the picture were already there before this haircut. But they look cute with this style! Final Thoughts on this Short Layered Haircut with Side Bangs This type of haircut is not a type of pixie bob, wavy bob, short bob, layered bob or a pixie cut. It's more of a wedge-inspired short cut. Using the hair's natural texture and styling with a round brush or brush of choice, you can get this cute short layered hair with side bangs. You can always modify this style with choppy bangs, straight bangs or any other kind of bang.   Tutorial