The ducktail haircut was a popular vintage 1950s hairstyle where the hair on the back of the head was shaped like a duck's tail. In this tutorial, it's not about any special ducktail comb or combing technique, but rather a step by step guide how to create this hairstyle with scissors. This men's coiffed hair has continued to remained an iconic look from the 50s. Watch this ducktail hairstyle tutorial video and follow along with the transcript in this article.   Ducktail Haircut Tutorial:   Welcome back to Jatai Academy! I'm Russell Mayes, Director of Content for Jatai and today we're going to be doing a throwback to the 50s with the ducktail haircut.   Cutting the Sides So we're going to start with a straight back section from the center of the recession that splits off the top of the head from the bottom of the head and we're going to use our Osaka Scissor because I will tend to take a larger section, so a little fatter blade and a sharper blade will make it easier to cut. I'm going to take an angled section that's going to follow the front hairline and cut that down at whatever my desired length is. I want a little bit of length so that the hair flows back. This haircut tends to look better with the hair that has a little bit of movement to it so. I'm walking my guide which means each section I take I'm combing into the previous section and cutting that as my guide. So I cut the first section. I comb section one and two together to make section two. I comb section two and three together to make section three. I comb section three and four together and so on until I reach the mastoid which is that bone right behind the ear. Now here you'll see me take the same section, the same angle and everything all the way down to the nape. And I will comb this into the previously cut section. Now at this point I can either leave it a little longer in the nape or I can taper it in. I'm choosing to taper this in slightly so most of my ducktail is going to be a little higher up. You're still going to get it all the way through the center which you know the ducktail is where everything is combed to the center and then right down the middle of the back of the head it's combed straight down. So I'm taking parallel sections as I work through the back of the head and I'm combing that to the previously cut section. Now you can see here how I'm tapering that down slightly but I'm still combing everything all the way over to where that mastoid is on the right side of the head behind the ear. I'll comb it back and check and start seeing how I build up a little bit of length and I want this length to build up as it's going towards the center of the head. So I'm taking parallel sections at the ear combing everything to the ear all the way down to the nape, just being very very methodical with each section that I take with each section that I cut. I want to keep it as consistent as possible you know and the Osaka Scissor tends to be nice, sharp. It's got a good blade length on it so it gives me a little bit of uh power behind each scissor stroke so I can cut more hair. As you'll see here I'm taking everything from the center of the head pulling it over right behind the ear and cutting that on top of my previously cut guides. Slightly tapering it a little bit as I get to the nape but still leaving that length build up in the center of the back of the head. Now let's go through and look at it, see how we're shaping up. We can see I'm getting that length in the center of the back. Now let's go through and cross check. I'm going to start right on top of the ear and since I cut this initially vertically I'm going to go through and cross check horizontally. Be sure to follow us on your favorite social media@jataifeather. We got Facebook, Instagram, Twitter, Pinterest and even TikTok.   Ducktail Haircut Horizontal Sections Now after I finish cross checking the sides there, we're going to go through and take a horizontal section to the initial parting that I had. Now I'm going to take all the hair on top and pull over to my previously cut sections underneath. I'm holding this horizontally straight up from the head using my guide in the back as the shortest piece to make sure I blend in the back so I'm disconnecting it underneath as I get to the front of the hairline. Whatever that front bang length is, that's the length I'm cutting it to. I could leave it longer or I could leave it shorter it's really up to your preference on how you want the top of the hair to look. I'm going for a little bit of a pomp look so I want the front to be a little longer than it is in the crown. Now here you can really see how I'm blending the top into the back of the head and then just following my guide underneath being methodical point cutting that through so I have less worries about building up too much weight and it's going to blend a little bit easier. I want to keep the top really soft, textured, point cutted as opposed to going through and cutting it blunt. Then it's much harder to blend that way and I have to be far more precise. So keep following each section until I get all the way over to the center. Make sure that's cut. Now let's go through and taper it in right over the ear just a little bit more.   Cleaning up the Sides and Nape So I'm going to go through scissor over comb shorter at the uh parting right there, shorter at the sideburn and then tapering that up and just slowly working that up until I get that blended. Now I'm going to go through in the back. I'm just going to take a horizontal section right across the bottom and I'm going to cut that length that I built up from pulling it over to the side of the head off because I want this to be square in the back. Some people will leave it longer and allow that ducktail to flip out. I'm going to keep it much cleaner and more tapered into the back. After I get everything done there, I'm going to go through and do exactly the same thing on the other side.   Creating the Ducktail After I do the other side, I'm going to come back and take a center section right in the back of the head. This section I'm going to go through and create a completely new guide. I'm going to hold it out and cut this vertically following the head shape going up the back of the head. By leaving the center in the back shorter, that allows that length build up from the sides to comb over and separate from the center of the back and gives it that really distinctive ducktail look. I'll check it. I think it needs to be a little bit shorter so I'm going to take it a little bit shorter. But I'm just going to go through very systematically, cut the center of the back out. Now I'll start combing this down check it out see how it combs over. I think it needs to be a little bit wider so I'm going to take and extend that a little bit to the right and a little bit to the left. So I'll start with a small section in the center about an inch wide see how the hair combs over it. If I need a little bit more width to be undercut in the center of the back of the head, then I'll expand that section and take a little bit more. This is just purely going to be based upon visually how you want that to look from combing the hair on the sides over the center and seeing how that falls. That's looking pretty good. I'm getting that separation right through there. So I'll do the same thing on the other side extend that a little bit to make sure I have an even amount of width in the back of the head.   Give us a thumbs up, click subscribe and click the notification bell to be notified of future Jatai video content.   Now here you can see I'm broadening the width on the left side of the head so it matches the right side of the head. Check that out. See how that's looking. That's looking pretty good.   Addressing the Top Now let's move on to the top of the head. Now since I've already cut the top by pulling it to the left and to the right to make sure it blends with the left and the right and the undercut I'm just going to go through and hold everything up right in the center, take a center section. From my length in the front, I'm going to cut that down so it gets a little shorter towards the crown so that the emphasis of the length is right around the front and then it starts to blend as it goes to the back. Now because I pulled everything over to the left and to the right most of the length is going to be in the center of the top of the head. So by cutting this first section I will have very little hair that reaches on either side so it's mainly I have to cut the center of the top out so that it blends like I want it to. I'll just check here make sure both sides are even pulling everything to the center following my center cut guide to make sure that that has a nice pleasing silhouette from the side profile.   Styling and Finishing Touches After we do this let's blow it dry and take a look at it. I'll just use a vent brush and blow dry everything in kind of a pompadour style and make sure everything gets blown back into the center blowing each side into the center. Now we're going to take our Jatai Tokyo Thinning Scissors and go through and just blend where I did a little scissor over comb underneath there to make sure that's nice and soft and smooth through there. A little bit in the nape as well just to keep everything soft. I'm not going to go through and do the whole thing just right where I want it to taper a little bit more. Now we're going to go through and put a little bit of pomade on it just to get some separation right there in the front. We're going to pleat that front kind of pompadour to make it look a little more lived in and a little less Conway Twitty which is what this haircut really reminds me of. But this will keep it a little bit more modern and cooler and give it a little bit more of a distinctive look around the front. Overall, I think everything looks pretty good. I think we got a nice pleasing shape. The silhouette is really important when you're doing these pompadour type styles to have a good silhouette from a profile. And we're looking pretty good through there. Nice and tapered you can see how it's being combed into the center and then the center is being combed straight down so we got a nice little DA in the back. Check out the Jatai Academy! There's all kinds of great information on there to make you a better hair stylist. Let us know what you'd like to see in the future and we will catch you next time. Thank you so much for watching.   Final Ducktail Haircut Look Vintage hairstyles of the 50's often had a distinct look. When it comes to the ducktail, we have that image of a higher pompadour look from the front and the sides combed in to the middle of the back. It's generally worn on straight hair rather than curly hair so that you can really see the ducks tails in the back. It's also distinctly characterized by greased back hair. The ducktail haircut is also known as a ducks ass haircut, duck haircut or DA duck hair. This push back hairstyle is a unique hairstyle from this time which hasn't really come back as a trendy look. However, the hair DA has remained an iconic look from this time period and will continue to do so.   Tutorial

The JATAI hair teasing comb is a versatile tool that has many functions. If you do teasing, backcombing, detangling, create updos, do balayage and color melting, watch this video on how to use this ONE tool to do all of these. This is a professional teasing comb but really anyone can use it for teasing and detangling at home. Watch the hair teasing comb tutorial here or follow along with the transcript.   JATAI Balayage and Hair Teasing Comb Tutorial:   Welcome back to the Jatai Academy! Today we're going to be covering how to properly tease hair with the Jatai Teasing Pin Comb PRO. Let's get started.   Using the Comb for Balayage So the first thing I want to cover is how to tease for a balayage. Now when I'm teasing for a balayage I'm not looking for control or a compaction of teasing to build volume. I'm just looking to tease some of the hair out of the way so that my section is not so thick and it diffuses my color line. So that's what makes it easy to have a seamless color going from dark to lighter on the ends is by teasing and getting some of that hair out of the way. So I'll plant one finger on the bottom, two fingers on top, roll that out of the way. I'll take the Teasing Pin Comb Pro put in all the way through and then just gently and easily push this up to the scalp. First section all the way to the scalp. Next section may be not quite so far up. Third section maybe not quite so far up. Fourth section not quite so far up. So I'm not packing it all the way into the root. I'm packing it only enough to get it out of the way so that when I start to paint my color on, it's close as it's closer to the scalp as I need and it's also going to give me less hair to deal with down here. So when I put my bleach on it, I put my foil in and let it process that it doesn't get in the way of my color but also since I didn't pack it in it makes it easy for me to go through comb the teasing out after I shampoo the color out. Then I have a nice easy seamless process.   Using it as a Hair Teasing Comb Now to go through and create some teasing for volume it's a different approach. You know I have to really compact some hair to make sure that it gives me some structure and some resilience to make the hair stack up so that it forces the hair at the root to stick up so that that gives me my volume. So now we're going to go through and I'm going to put one finger on one side of the section, two fingers on the other side and I want to make sure I got that really tight. I'm going to over direct a little bit so that I can tease on base. We'll put my comb in however far I think I need to push down and I'm going to start to see how much of that texture in the hair is starting to compact. I'm going to go a couple of inches out all the way down to the scalp. So as I'm pushing down I'm pulling up. I'm going to pull the comb out. Again, all the way down to the scalp. Pull it out, comb everything back together tight. Now I can tell how compacted that is and that's already giving me quite a bit of volume through there. So from there if I want to just comb it and brush it and have that sticking up I could have a nice little puff right there in the front. Turn the teeth away, smooth that out, push. There we've got a nice little puff.   Creating the Updo But we're going to go through and do an up style and make something kind of big so I can control the hair as I'm styling it up, not just creating volume. I'm going to take a little bit underneath that at a little triangle section. Where I started my teasing on the first section which was about right there, I'm going to start my teasing on this second section. Again, everything straight down to the scalp. If I did three teases on the first, I'm gonna do three teases on the next one. Pin that up out of the way. Comb everything together. Alright, after I've got everything kind of smoothed in I got one piece I'm going to do a little bit of teasing there just to help it stick together. Comb that up. Take a hairpin put that right across however far out from the scalp I think I need to do. The further from the scalp, the bigger the curl is going to be. Now I'm going to grab this hair pull it out of the way, turn my pin upside down and pin it right to the base where I had my teasing. I'm going to hold that. I'm going to take another pin with a little ski tip pointing down, hold where my other bobby pin was, slide that right across it. Come on baby come on. Tell me if this hurts okay. Slide that right through so I'm going to interlock my pin so that stays. Now this little piece here I'm just going to tuck to hide out of the way. Alright so I got my first you know kind of little curl there. I'm going to take another little piece here.   Please follow @jataifeather on your favorite social media platforms!   I have my little triangular section. So now I'm going to split that in half. I'm gonna start on the side and do the same sort of compacting teasing all the way to the scalp. Add a little more all the way to the scalp. Pull the comb out every time. Get that hair out of the way. Comb the section together where I started the teasing. Comb all the way to the scalp. Come on baby, every time. And now we're going to do a little bit of back combing as I walk the section out. So as I walk the section out that allows that hair to clump together a little bit better so it doesn't want to separate. Take my pin put it in, pull this hair underneath. Take the pin flip over, pin to the base. Hold that with your other finger. Take your other pin slide directly across that and make sure that you crisscross so that you have a nice secure base. This little piece here that's sticking out I'm just going to take a smaller bobby pin. Put it in twist. Hide that in, that little curl. Take my next little triangular section get that compacted in. After I got the compaction I'll do a little bit of teasing as I go out towards the middle. Comb that together. Make sure that's looking good, put my pin in, twist underneath and then hold it. Another little section. Whoa.   Click subscribe if you haven't already. Give us a thumbs up if you liked the video and click the notification bell to be notified of future Jatai Academy content.   Now as I work into the side, you know, I need to cover up some of this little area here and I'm going to start dragging this and I need more control over the ends not just control for the root. So the initial compaction gives me a nice little bit of control at the root. It gives me something to pin into, right. But it doesn't give me control over the section. So what I'll do is after I do my compact teasing I'll pull that in the direction I want it to go and I'm going to start to very gently compact my teasing all the way to the tip and you can see there how that whole piece now wants to stick together a lot easier than me having everything kind of fall apart. So the teasing does a couple of different things. It creates the compaction at the root to give me something to pin into. But it also gives me a little bit of stiction when I start to comb the section out. So now when I take my pin and put it in, I can go through start to pin that in and now I have a nice whole little panel of hair that wants to stick together as opposed to everything just wanting to just fly apart. And it's just that little bit of teasing as I'm walking the section in the direction that I want it to go. So this is a larger section. So what I'll do is I'll do my compaction in sections. Once I get a good base there I'll take my next little piece where I started the combing where I started the teasing towards the scalp that's where I'll continue all of my teasing as I start to walk this section back. After I get my compaction, smooth that out a little bit get everything kind of going in the direction that I want and then gently walk that back combing out to kind of panel that whole section of hair together smooth on the surface. A little bit of spray. Smooth there. The rat tail helps smooth everything down. Find out where I want that to go which I'm thinking about right there. So let's go through, take here, twist, pin that underneath. And now this piece I don't even need to pin I can just tuck that under that little panel. And now we've come to our last piece. We're going to work this over and see what we can get out of this. I think I want to do something kinda big and bold maybe. I don't know we'll see. But the first thing I need to do is pack me a little bit of base in there so I can control it. I'll do three little teases. I'll add to that where I started the teasing, compact to the root. My last piece compact to the root. Now comb everything together where I started the teasing that way I don't comb out the teasing that I put in it. I've just uniformed the section to make it all one piece and then I'll start doing light little under combs from the back just to help compress this piece together so that it all starts to form one piece together as opposed to wanting to fall and separate. A little pin, twist under, slide that into the root teasing from the previous section. I'll take this piece here kind of worm it back a little bit, think where I want that to go. Here is another little pin, twist, slide that through, bury that in just to try to help that piece mold and flow into the rest. Now here I'll start to separate and start molding. So the teasing that I put in this at the root gives me the structure and then the root teasing as I start to compress that out starts to give me a little bit more moldability and ability to control it. A little bit of hairspray. Oh! right in my face! So after I've gone through and done that I got my little hair pins in to help mold the shape so I don't have to keep it real compressed and then I'll put layers of hairspray on it just to help it set in and hold. I think she looks pretty good. She's ready for a night out on the town to go to Olive Garden maybe even maybe even Red Lobster. Oh my goodness! Let's give us a review on our teasing techniques.   Recap First for color, for a balayage specifically, we want to do a long stroke tease but not compacted in real tight. All we're looking to do is remove density. So the Teasing Pin Comb really helps get me a nice even tease all the way from the tips into the root without compacting it in real tight so it's easier to remove after we rinse the color out. It also diffuses that line by packing in my teasing and makes it much more seamless. Now if I want to do some styling, you know that 60s kind of bouffant, you know fembot sort of thing where I want the hair flowy, I want to compact my teasing in really tight at the root at the crown so that I get that hairstyle sticking up off the scalp. So I will start by using the hair tease comb, teasing from two or three inches away from the scalp all the way compacted down to the scalp every time three or four or five times depending upon the thickness and the texture of the hair. After I've got everything teased in I can comb and brush all the hair together as long as I don't comb it from where I started my teasing. That way all the hair can flow and I still have my teasing compacted in at the scalp. If I want to do for up styling, I want to compact it into the scalp just like I did for my styling but then I can also feather that teasing out through the ends and give me much more control. So the teasing at the scalp gives me a structure of the shape that I can start pinning into. Teasing hair through the tips makes that whole panel much more structured and easier to mold and control so it will stay in. So what makes the hair stay is not the hairspray it's the teasing and the pinning that makes it stay so with the Teasing Pin Comb PRO  I can really compact to them nice and tight. So check out the Jatai Academy! There's all kinds of great information on there to make you a better hair stylist or barber. Also let us know what you'd like to see in the future and thank you so much for watching.   Final Look using the Jatai Hair Teasing Comb   Here's the final look after all the teasing and upstyling. There are many different tease combs but the JATAI Teasing Pin Comb PRO has a unique pin structure that allows you to easily tease quickly and efficiently. It's also designed to detangle that tease as well. If you've ever had teased hair, knowing how to comb out teased hair can be a second battle that is frustrating and difficult to deal with. This is the best teasing comb for thick hair and a good teasing comb for fine hair as well. But it's the best teasing comb for volume, detangling, backcombing, balayage and color melting.   Tutorial

In this tutorial you will learn different techniques for texturizing hair with scissors and a razor. Knowing how to texturize hair with scissors and razors for hair cutting can give you many different options for how to texture cut hair for removing weight, creating separation and pieciness and creating movement. If you want to know how to texturize short hair and long hair, it doesn't matter the length. At least one or more of these techniques can work on your desired length, hair texture and hair thickness. Russell Mayes, Director of Content for Jatai, will demonstrate various texturizing techniques and shows you how to use texturizing scissors, traditional scissors and razors to achieve your desired results. Watch this tutorial and follow along with the transcript. Different Techniques for Texturizing Hair with Scissors and Razors: Welcome to Jatai Academy. Today we're going to be doing a technical deep dive in how to cut texture into hair and we're going to approach it from two different ways. We're going to approach it one way of texturizing to remove weight if the hair is overly thick and then we're going to also texturize it in a way to create separation and pieciness and add texture to the shapes you've already done. So we got a lot of different methods to show you. So let's begin.   Removing Weight from Thick Hair Using a Razor So the very first way we want to create texture is let's think about we've got a one length haircut and the hair is just too thick. You know you get that broom effect and the hair doesn't have a whole lot of movement and swing to it. So to know how to texturize thick hair, we want to remove some weight real gently just to diffuse the thickness of the hair so it's not so thick and bulbous. We don't want to introduce any kind of separation or any kind of movement to it. We're just trying to remove weight. So I'm going to start with my Feather Styling Razor and I'm going to take a small thin section here in the back or you can start wherever you want to remove the weight. You just want to make sure that the sections are not too thick. So I'll take a section, comb that straight through and now here I'll do the claw method on my razor where I'll take three fingers on one side, two fingers on the other, keep my wrist straight and I just very gently fillet the top of that section. And that's going to remove some of the thickness of the hair without introducing shifting back or forth or pieciness. I'm going to go through and comb this section down to show you again. Do the claw method very gently. I don't want to make this section too wide because if it's on a curved part of the head...right? I want to keep that section flat through there. Because if it's on a curve it's going to thin one area of the section more than another area. So I want to work in little flat sections of head so the razor will touch the hair at the same time. Comb that down and then very gently just push the razor against the hair, tilt the blade up and then just gently go through all the way towards the ends. I'll remove some weight, but I will still have a nice solid shape. Add a little bit more hair. Little bit more. Now this section is a little bit wider across the head. So I've got three flat sections. I got the middle. I got to the right and I got to the left. So we're going to start in the middle again. Very gently just like I'm filleting fish, just right on top as I go through and down. And I want to be very mindful. The more pressure that I put against the hair, the more hair that's going to come off. Alright, so I want to be... that's bad. I got too excited on that one. But that was an example. So nice, easy gently laying the razor against the head and then just very gently filleting all the way down and through. And remove as much hair as you need to. So that's the first way of removing hair when the shape is too thick.   How to Texturize Hair for Pieciness Okay so now say that I want to texturize the hair. I want to remove some weight but I also want to create a pieciness and a flickiness to it. So instead of laying the razor flat against the head, I'm going to go in vertically and by vertically I will go through and start to put channels into the sections so that will not only thin it but it will create separation. It will force the ends to separate into little pieces. The first method is not going to force separation. It's only going to diffuse the weight. This way I'll create separation. So I'll go through, same method and just gently put the blade through the section and whatever kind of gap that I think I need, I go and cut me a nice little angle right into that and now I remove hair but I also force it to separate into pieces. And that will separate much better. So now we go through and we'll do the same thing on the other side. With this method, I don't want to pick up much hair from underneath because then that's going to get recut. The first method, since I'm only doing surface level texturizing and razoring, I don't have to worry so much about that. But as I start to do internal textures like this I only want to texturize the hair that's in my hand. So there's my section. Try to maintain the same kind of gap and I'll curl my fingers away as I get closer to the root of my fingers. That's going to give me much more separation with each section that I go through and texturize like that. So internal texture with separation using my Feather Razor.   Removing Weight and Creating Separation at the Same Time Now there is a way that I can go through and do kind of a stop gap between both of those where either I'm filleting it and just diffusing the weight or creating internal texture and separation. There's a way I can get in between both of those and that's by using the Texturizing Blade on my Feather Styling Razor. So I can use these blades instead. And so what happens here is I have a little area of guard that covers part of the blade and areas where the blades open and it has gaps. And where it has gaps that allows hair through to the blade and that's what cuts. So I'll actually cut little channels as I fillet it. So it gives me a little less weight removal than just laying my Feather Razor against it solidly and removing the whole thing. It doesn't give me as much weight removal as if I go through and channel it. So it's in between. So I'll take my Feather Styling Razor with my Texturizing Blade. Take a section about as wide as the blade. Start where I want my texturizing to start which is usually about halfway. I tend to never really go deeper than halfway. After I get there, I'll just go through and gently glide all the way through to the end and now you can see I'll get separation and diffusion of weight at the same time. Pick up what I want to cut, comb through. This is getting a little dry so I'm going to apply a little bit of Jatai Blade Glide just to keep all the hair nice and moist and evenly saturated. The more evenly saturated that the sections are the more even that my razor cuts going to be. There we go. Take my next section through there. Start about halfway. Once I lay it on the head, on the hair, I don't remove it. There's a little bit right through there I need to take out. Boom. Got that perfect. Let's go to the other side. Pull this down and through.   Give us a thumbs up, click the subscribe and the notification bell to be notified of future Jatai Academy content.   Little bit right there. Down and through. And then you can see I get a little bit of internal texture, a little bit of weight removal and it's not nearly as severe as either the first two methods that I showed you. So Texturizing Blade with the Feather Styling Razor, filleting the section to create a little bit of separation and weight removal. Should fine hair be texturized? It can if you want to create pieciness and some volume. This method would be the best way to texture fine hair as you don't remove as much hair but still create texture.   How to Use Texturizing Shears for Weight Removal So now we're going to move on to texturizing dry hair. The razor works better on wet hair but thinning scissors and point cutting and things like that they work better on dry hair so that you can see how much weight removal that you're actually getting. So the first way that we're going to approach this is very much an old school method way where you're just going to use a thinning scissor and cut it the same shape as the line that you cut. So if I've cut straight across that's the way I'm going to go in with my thinning scissor. If I've cut it at an angle then that's the way I'm going to go in with my thinning scissor. That way the internal shape that I create is going to mimic the external shape so it has a better chance of everything flowing together. Turned to where the straight blade is on the bottom. Put my fingers in the last inch or so. One. Pull out. Two. Pull out. And that's usually enough to give you enough texturizing and thinning on the ends to bevel it and to make the shape a lot more pliable and give it more movement. I don't have to go crazy. If the hair is very thick, I may go through and do it an extra time or two or depending upon the hair I may do it a lot. So we're going to continue to pull the section down, pull out any hair that was previously thinned. Get that together straight across. Now the good thing about these scissors, my Tokyo Thinning Scissors, is that they're seamless. So when I go through and I put a line internally I don't instantly see a cut line internally. It diffuses and it blends away so I don't have a bunch of steps in the middle of this. Next section I can go through and do the same thing. The longer the hair is the more internal that I can go. A nice seamless thinning scissor like the Tokyo is excellent for this type of work. Try to not lift up any hair from previously cut sections because then I don't want to thin the same section two, three or four times. I only want to thin it once when it's in my hands and then that's it. If I need to go back after I've done everything and thin it, then I'll go back after the fact. So that's texturizing with hair thinning scissors, blunt shapes and just softening the edge. If I wanted to remove more hair and not work myself to death and I wanted to create some movement internally then I'll go through and take a vertical section, remove the hair that's already been cut, pull this hair forward and then go through parallel to my section and thin from about halfway through to the ends. And I will remove a lot more hair that way and introduce more movement. You can already see how that shape is collapsing much more than the piece next to it so that will remove a lot more hair and it will be completely seamless. And I can remove more hair where I feel like I need to and less hair where it needs. Because not all sections of the head are the same thickness. Like right here is a good example of that. If I look at that it's thinner right through here. It's thinner right through there and then it's a little thicker there. So a little thicker, a little thicker, a little thinner. So maybe I hit it once and pull that section out and then where it's thicker up here, hit it a couple of times and diffuse. So I can even out the amount of weight on each individual section as I'm working through by going through and doing this kind of method. So we're going to pull that out at an angle. Thin this through. And I don't know what that's called, what that method's called. So we're just going to call it 'Russelling.' So I went through and Russelled this side by holding out my section vertically and removing weight internally as if I was point cutting with my hair thinning shears. I have a lot more control than just putting a straight line in.   Texturizing Hair with Scissors Let's move on to the next one. So the next way that I can thin a section of hair is going through and using my straight hairdressing scissors. I'm going to use my Kyoto Scissors from Jatai and this method is similar to what I've just done with the thinning scissors where I go through and point cut internally. But this method is going to be as controlled if not more controlled and it's not going to be as diffused. So the way I'll do this is I'll go through and take a vertical section, put my fingers in pretty deep, roll my fingers over so I have a really good grip on that (I have a death grip on there) and now I'm going to take the stylist or barber scissors, put the blade in and as I bring the tip to the hair I will close the blade. And you'll see me take little points out. And as I start to go a little faster it will start to look like this. Where it's thicker I can thin it a little bit more. Where it's thinner I can thin it a little bit less. And this way it's more controlled than if I'm doing the thinning scissor because I can hit exactly where I want the removal of weight to be removed from. But it's also not going to be as diffused. So maybe I want to keep my shape really solid but I need to remove some internal weight and this would be a good method for doing that. And this works really really well on curly hair as long as you don't get it too close to the scalp. So this is a great way for how to texturize curly hair. Now one thing I want you to pay attention to is the angle of my hair shears when I do this. If I take my scissor and it's very parallel to the hair, I will take out very little when I hit it each time. The more of an angle that I go with the hair scissors, the larger the piece that I'm going to texturize out of it. Point cutting internally with my Kyoto, it's not a thinning scissor but it is a thinning scissor because it thinned the hair with my Kyoto Scissors.   Real World Example for Texturizing Hair with Scissors Let's give a real world example of how to texturize hair for effect. Now we have our model here. She's got her little blunt bangs. She's got her nice little haircut cut. So say that I want to soften this hair up. So the first thing I want to do is go through and use my Tokyo Thinning Scissors. I'm going to separate right here in the middle and I'm going to be very very aggressive with how much hair I remove. So I'm going to lay my fingers right up to her hairline, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and go through and thin it really really deep about half way. Well I'm going to thin this really deep. I'm going to go through and do it again because these mannequin heads have a lot of hair. So now we've got that thinned and you can start to see it's wanting to separate already just by removing the weight. I'm going to do the same thing here. I did it two runs. Two, three, four, five, six. One through. Let's do one more run through there. Maybe not as many hits. That's looking pretty good. You can see already just by going through and using my thinning scissors I have gone through and changed the entire feel of these bangs. There we go. So now from here I'm just going to place my blade in and then gently close the blade all the way through and this is going to create a very very strong blunt separation to this diffused texture that I've already created with my thinning scissor. So it's gone through and blunted everything up that I had just cut in through there. Try to keep all my gaps even but maybe for artistic reasons you don't want to. Just go through. Don't poke her in the eye. And now we've got some nice short little piecey bangs.   Follow us on your favorite social media @jataifeather   Hair Texturizing Cut Final End Result You're looking pretty good girl! Here's our end result. I think it looks pretty neat. You know if I could have bangs girl I would have my bangs just like yours. No not really. I'd have it like Elvis. Anyway, a lot of different texturizing techniques that we covered today. Which one's your favorite? Which one do you use the most? And I would encourage you to practice some of the others and add them to your repertoire to make you a much more varied solid hairdresser that will give you a lot more options in how you want to texturize and thin hair. Not all texturizing methods work on all different types of hair. So let us know what you'd like to see in the future. And also please check out the Jatai Academy. There's all kinds of fantastic information on there to make you a better hairstylist and barber. And thank you for watching. We'll see you next time.   Final Thoughts Knowing how to texturize your hair or client's hair is a fundamental skill that all stylists and barbers should know. And as you mature as a hair professional, knowing what tool to use and how to use it to create the desired effect is important to developing your skills. It's also important to prevent over texturized hair or under texturized hair. Haircut texturizing is an art and science! We hope this tutorial taught you something new that you can take with you into the salon or shop.

When it comes to razored layers, there are different ways to create them. In this video you will learn a classic long layered haircut that uses a Feather Styling Razor to create beautiful razored layers on straight hair. The techniques mentioned and described in this tutorial are foundational and fundamental to any razor haircutter's knowledge. You can watch the video tutorial and follow along with the transcript below.   Razored Layers on Long Straight Hair:   Welcome back to the Jatai Academy! Today we're going to be doing a razor layered haircut with some thinning scissors for texture.   Cutting the Perimeter We're going to start with a natural or center part straight down to the occipital bone to split the head in half. From the occipital bone to the mastoid bone right behind the ear, that's going to give us our baseline. I'm going to use my Feather Styling Razor because it's super sharp plus it has a built-in guard for safety. So I'm going to comb everything clean from the roots all the way down to the ends and then I'm going to go through and channel cut as I'm cutting the length. So I'll do a vertical channel and then when I get to the length I want, which is where my fingers are, I'll start cutting to the right and that's going to create separation and I'm going to cut length at the same time. I want to make sure her head is tilted slightly forward so I can get a little bevel on my length as I'm cutting it. Now I'm going to use the center length as my guide and do the same thing on both sides until I get all of the length cut to the length that I want. I want to keep this pretty long and the channeling allows me to really lighten the hair up without removing all of the length. So whenever you're trying to create something that has an airiness to it I have to walk a tight row between enough texture to create the lightness and the airiness and then enough solidity so that it still looks like she has as thick beautiful hair. Now I take my next section which is a parallel part to my first section which was the occipital to the mastoid. This is going to go from the drop crown to the top of the ears. I'll use my guide underneath and then hold my fingers, cut the length and then channel. So I'm showing you a couple of different methods of doing this. I can channel and cut the length all at one time. I can cut the length and then channel. Or I can channel and then cut the length. So I'm mixing it up throughout the whole thing.   Be sure to follow us on your favorite social media @jataifeather   Just going to continue on cutting my perimeter length following the same methodology that I've been doing throughout the entirety of the haircut at this point, channeling, cutting my length. And I'm not really paying attention too much to how much weight I'm removing as long as I get the texture right. Now we're going to start our layering around the front.   Bangs and Face Framing Razored Layers I'm going to take where the bang section would be right at the top of the head in the front down to the top of the ears. That's going to separate all the hair that has the ability to fall in her face. I'm going to take a center section and I'm going to comb this out off the peak curvature of the head and then I'm going to take a very very long soft razor stroke and cut my guide length. I want to keep it fairly long because the more that I texturize and the more that I thin the hair, the shorter that it's going to appear. So I want to make sure that I leave a little bit of a safety net so that I don't end up with some bangs that look like she's really surprised or she's got a third grade picture where Mom and Dad cut her bangs a little bit too short because they couldn't get it even. So I take my guide length in the middle and I work that down towards the edges over the ear and I'm gradually getting longer as I go to the sides. I'm not worried about the guide length that I have in the back. I just want to get a general long length on the front and then as I work to the back I can increase my length to make sure I don't cut off all the length in the back. Right there on the front I wanted to take a little more hair out there. I thought it was a little thick. Now I'm going to go through and do the same thing on the left side using my guide in the center pulling the hair forward and down and then cutting my line short to long and using the same razor stroke that I've used throughout the entirety of this front section. I want something that's very long, a broad stroke that's very soft. Now I'm going to take a parallel section further back from the second flat part of the head right at the parting in the middle of the head going right to the mastoid right behind the ear pulling that forward at the same angle and then using my guide underneath. As I get to the bottom, I'm working my length to get longer so that I don't start cutting into my perimeter length in the back. Do the same thing on the right side. Just comb everything forward and down, follow my guide underneath and then work from short to long. Now you'll notice I'm cutting from the center of the head to the perimeter on both sides so it's always going centered down. On the right side I have to cross over my hand so that when I razor down I can continue with the same sort of razor stroke that I had on the other side. Just continue to follow my guide down until I start to run out of hair and until it blends into my length in the back. After I've run out of hair and I've got everything blended through, I'm going to go through it now and start using that length in the front as the guide for my layering.   Cutting Razored Layers I'm taking a center section. I'm going to hold that straight up towards the ceiling. There's my guide length in the front that was falling out from me combing it forward. I'm going to use that and cut my layering throughout. It's going to be shorter right here at the top of the head and then as I start to work back I'm going to angle my fingers so that that line gets longer as I'm going further in the back of the head. And as I start to round out I will still increase my angle so I save my length on the back. I'm creating a lot of layering but most of the layering here is going to be at the very very top of the head right at the high point of the head. And as I work back towards the center it's going to get longer and less layered. From here I'm using my center guide from the high point of the head. I'm pivoting down to the corner of the hairline combing those two sections together pulling it straight up at 90 degrees from the head and then using my center section as my guide and cutting anything that hangs over that off, keeping a very very broad stroke so I can keep everything nice and soft. Now at this next section I'm pivoting. I remove my original center section and now I have the second section and I'm creating the third section so that I have second and third sections together. You can see the corner of the hairline to the mastoid right behind the ear. This is allowing me to work my layering shorter in the middle and keeping that same length as I work towards the ears. If I converge everything by pulling it to the center it's going to get longer and heavier behind the ears and I want to keep this layering in the back very very broad and evenly layered around the back. So by walking my guide like this, I can keep all the layering consistent on both sides and consistent throughout.   Give us a thumbs up, click subscribe if you haven't already and click the notification bell to be notified of future Jatai Academy content.   Now from here I'll take my third section and I'm pivoting from the high point of the head right to the high point of the hairline over the ear. Right at the ear is going to separate the front of the head from the back of the head so this is going to be where my layering in the front starts to take over from the layering on top. So I'm going to have very very little hair that I need to layer through here and it's more of a formality just to make sure that I don't have anything that really hangs over the back. This section there should be very little if anything that hangs over what I cut around my quarter part. Making sure everything blends nice and through. My layering here it's nice and even across the whole back. It doesn't get longer towards the ears.   Thinning Scissors Now I'm going to take my Jatai Tokyo Thinning Scissors that gives you the perfect balanced amount of thinning. And I'm going to go through and resection like I layered around the front just so that I can keep everything consistent. I'm going to pull the section forward and then I'm going to go through and start thinning vertically. I'll go through and take a little hair pull that out, take a little more hair pull that out, take a little hair pull it out. So I'm starting no deeper than halfway through the section. If I go deeper than halfway I run into the possibility of there being little alfalfas that will stick up especially if they have kind of curly or wavy hair. So I'll start halfway in the middle of the section. I'll hit it a couple of times as I work towards the tip. When I get to the very last part of that section at the very tip, I'll use my thinning scissor and pull that out of my hand so I can work into my hand and not thin the same hair over and over and over again. Here, I'm going to take out my section on the front. I'm not using a guide for this. I'm using the thickness of the hair to be my guide, how many hits of the thinning scissor that it needs to have. I'll continue to section, pivot that section around the back. If the hair is thicker I thin it a couple of more times. If it's thinner maybe I don't thin it quite as much and quite as deep but I definitely want to go through and remove a lot of the weight from the ends. By removing weight from the ends that's going to allow me to get a much more piecey look and it's going to remove all that stiffness that I get when I built my shape in the beginning if the hair is too thick. Thick hair doesn't move. Thinned textured hair moves.   Blow Dry and Styling Now we're going to go through and blow it dry. I'm just going to drag a round brush through it just to smooth everything out. The shape's already in it. The texture is already in it. I just want to polish everything off. Going through and smoothing out the front to make sure that the bangs don't stick straight up. If I see anything that needs a little bit more work here at this point when it's dry I can really see how much weight I need to remove and then I can adjust accordingly. Everything looks pretty good. Please check out the Jatai Academy. There's all kinds of great information on there that'll make you a better hair stylist and barber. Let us know what you'd like to see in the future and thank you so much for watching. We'll see you next time!   The Final Look - Long Razored Layers on Straight Hair Here's the final look. As you can see the long razored layers add texture and movement. But the layers are not overpowering. This is a classic long layers razor haircut.   Tutorial

One of the most fundamental techniques you should know as a hair professional is how to cut a blunt bob. The scissor techniques needed to get a perfectly straight blunt line takes skill and practice. But once you master how to do a blunt cut you can use these skills to do different kinds of haircuts like a medium blunt bob or a short angled bobs. Watch this video tutorial and follow along with the transcript below.   How to Cut a Blunt Bob:   Welcome back to the Jatai Academy! Today we're going to be doing an in-depth study of how to get a perfect solid one length line, all the things that you need to know, all the little tricks and all the habits that you need to practice to make sure that you can get a perfect one length blunt line and how to do a blunt haircut. So let's get started.   Sectioning The first thing I want to do is I want to go through and use a little bit of cutting lotion just to make sure that the hair has an even wetness, that it's easy to comb and glide everything through the hair so when I'm taking my sections and combing, I'm not fighting the sections. I like to use Jatai Blade Glide. It's nice. It's light and will not weigh down even the finest hair, but it constricts the cuticle and makes cutting so much smoother and so much easier. I took a natural center part down to the occipital bone, occipital bone to the mastoid. If the hair is really thick I will separate this in half. Very rarely do I ever take this into thirds because most hair is not really that thick so that brings me to the first concept is you can't have a section that's too thick or too thin. If the sections too thick then it's going to create a whole lot of scissor push which I'll get to in a second. But if it's too thin as well it's not going to give you a clean enough solid line that you can build off of and it makes subsequent sections harder to match. So I want enough thickness to where I can't really see through it but I don't want so much thickness that it makes my scissors push. The next thing we want to focus on is having a very very sharp scissor. The sharper your scissor the cleaner the cut that you're going to be able to make and also the thicker the sections that you're going to be able to work with.   Choosing the Right Scissor when Learning How to Cut Blunt Bob I'm using the Kyoto Scissor from Jatai. It has a nice fat blade. It has enough scissor weight behind it that I can really get behind and make sure I have a clean cut. What you're going to see a lot of times when people cut hair is it's going to look like I cut, I go in cut, and I go in. So when I do it fast it looks like that, but in reality what I'm doing is I put the scissor in and as I close the blade I cut on the backstroke. This will compensate for the amount of scissor push that I'm going to get. A sharper scissor is going to require less backstroke which will give you a cleaner cut line. Also, the sharper the scissor is the cleaner that it's going to cut the ends of the hair. If it cuts it kind of jagged, it's going to look kind of fuzzy so I want a nice sharp clean scissor.   Combing the Section Now from here I want to focus on how I'm combing the section. You'll notice when I hold the comb it's two fingers on one side, a thumb and a pinky on the other side. So that allows me to flip the comb and control it like this which is important for building tension. So I'll go through, I'll take a section right in the center. Each section that I take is going to be a flat section of head. So when I hold the comb against the head it's going to be flat. So I'm not cutting across any curved sections. So now from here I comb away from me so that I make sure I get all the hair at the scalp combed clean. If I don't get the hair combed clean from the scalp it's going to leave me an inconsistently cut line. So comb with the teeth facing away from my fingers and then I rock and rotate and I put my finger in. I just hold, put the finger on top. I do not drag that finger through creating any kind of tension. The only tension that this section has is the tension that was created in the comb. Now from here I want the comb to be perpendicular to the hair. I'm not going to turn this up and make it easier for me to see. I want to make sure that this is perpendicular to the hair where I want the line to be cut.   Making the Cut Scissor push is compensated for. Cutting on the backstroke. Now we have a perfectly clean cut line. On a human I will comb that down, get that little piece out of the way, and then cut this on the skin to compensate for any graduation that I get from my fingers. The next section, I will then with the head comb straight down. I'll compensate. So this is the angle. It matches on both sides so I comb that section, T to my parting. I do not put my fingers in, create tension and drag that section because then I'm going to have inconsistent tension throughout the section because my fingers are not going to be perfectly even. I'm going to have gaps. And where I have gaps it's not going to create the same tension. So I'm going to comb this down. The only tension that's being created is from the comb. Plant my finger. There's my guide. Put my scissor in. Cut on the back stroke to compensate. Boom! Perfectly clean blunt solid line. And we're going to do the same thing on the other side and match that as best we can. Comb down, create my tension, there's my scissor guide from the previous section in the center. Compensate. Check that out. Here I'm going to look and see if my sides are even and it looks like the left is a little longer. So instead of freaking out and crying I'm just going to go back and cut that side a little bit shorter. And I will take that in baby steps. And there is my line. Cut that down and through. Boom. A little nibble right there. Now let's check and see and that's looking pretty good. Now we've got our first section. So now we're going to go through and take a parallel section to that previous section which was what we took in the very beginning. Now we're going to take the rest of this section that we sectioned off in the nape and I'm going to go through and do exactly the same thing that I did before.   Cutting on Top of the Previously Cut Section in this Blunt Shoulder Length Bob Take the center section again. I want to make sure that it's flat. Comb that down. The only tension I get is from the comb itself. I'll lay my fingers right there where the previously cut section was, find my guide underneath, go through, compensate for scissor push and we are going to do what is technically the hardest thing to do in cutting hair and that's cutting this section directly on top of the previously cut section. That's the hardest thing you'll ever do when you're trying to cut hair. Everything else pales in difficulty compared to this section right here because I cannot be longer which this, if I'm like really neurotic about it is a little bit longer. So I'm going to go back in and try to cut just a whisper of hair off. That brings me to the next point that we really need to pay attention to and that is consistency of technique. So when we comb it's consistent every time that we comb down and through. When I hold it it's consistently the same and when I cut it's consistently the same. If it's not I'm going to have a lot of difficulty. Let me cut this. I can't talk and cut at the same time. I'm going to have a lot of difficulty repeating my cut line so I have to practice and comb and rehearse my skills over and over and over again just like a piano player would play, you know the scales and the chopsticks or whatever finger exercises that they have to get so that they can repeat the method every time and be exactly the same. That's only going to come with practice. Next section. Comb clean from the root all the way down through. There is my previously cut guide. Cut on top of that and that actually looks pretty good. I'm impressed by that section there. Wow. Don't expect that level of quality every time I cut but sometimes you're going to hit it right on top. You're going to hit the nail in the head. Remember it's not about being perfect on every little section. It's about you're perfect the majority of the haircut because there are going to be sections that I cut on this haircut that are not going to be right. They're going to be a little too short. They're going to be a little too long. A little too long is easier to fix than a little too short because if I go a little too short then I have to go back and cut the whole thing again just a little bit shorter. If it's a little bit longer it's easy to go back in and clean that up. So now we're going to look at this, see how that's looking and I got a little graduation right here. So I'm going to comb that down in my comb, cut that little bit off. Easy right? Easy. It's a simple concept but it's not easy to execute. You have to practice and be diligent with your technique to get this really clean. So now let's just continue on.   Give us a thumbs up, click subscribe and the notification bell to be notified of future Jatai Academy content.   Starting in the center again where it's flat, get all this hair out of the way. Make sure the head is even and she's not sitting all cockeyed. Comb clean from the root all the way down, flip the comb creates the tension, plant my fingers. There's my guide. Cut directly on top of my previously cut section. Not shorter. Not longer. Directly on top. We've got everything done up into the ear section. So now we're going to bring this section down and I'm going to go through and do the same thing I was doing before just continuing to go up the head taking each individual subsection, combing everything down including the previously cut sections as my guide.   Compensating for the Ear And as I go up it gets easier and easier to see my guide. Now as I start to come around to the ear I have to approach that in a different way because I have this protrusion sticking out from the head that if I just comb the hair over it and pull it down it's going to compress the ear and then when I let go the ears going to flip up and then it's going to make this section get shorter. So what I'll do is I'll cut all the way up to the ear, get the ear hair and the ear out of the way so I don't have to deal with it until it's absolutely necessary. There's my guide. Cut directly on top of that as best you can. Clean that up as best as you can. Now as I come to the ear the way I'm going to deal with that is...there's a lot of different ways to deal with this section. There's no one way that is the end all be all way because the hair is different. Some hair is more voluminous and it gives you a lot more slop factor so it gives you more of a safety net that you don't have to worry about it. Thinner hair you have to worry about it more because it's more visible and it shows all the flaws of your technique. And if that hair gets shorter because I pulled it down, it's going to spring up. My line is going to go nice and straight and then have a nice little hole and continue straight again forward. So what I tend to do is I'll take the ear section, I'll comb everything down over the ear. Make sure that I go underneath the ear as I continue down and once I get here I'll gently hold the hair take the scissor and push under the ear so it starts to see the ear protrude from that section and it allows this hair right here to get pulled up. And then I will hold that down and cut that straight across. So now when I comb this down you're going to see how that gets a little bit longer right through there. I'm going to then ignore that because I have to cut it again once it's dry to clean it up. So that gives me a compensation over the ear so that when I dry it there I can fine tune it. Dry hair is not going to be as susceptible to graduation elevation from tension or through the protrusion of the ear as wet hair will be. The next section comb that straight down, no tension. There's my guide. Cut that straight and through. We're going to check and make sure our sides are even and that's looking pretty good. Now we're going to continue on until we run out of hair. Alright, so I think we got everything looking pretty good. So now let's go through and blow it dry. I'm going to blow dry as straight and as smooth as I can so that we can reveal the cut line as cleanly as we can reveal it.   Follow us on your favorite social media platform @jataifeather   Blow Drying & Styling the Short Blunt Cut Bob Hairstyle So we've gone through and blown everything dry. Got everything nice and smooth. Now I'm just going to go through and comb everything down and its natural fall and especially over the ears here to see if my little ear push compensated enough or it was too much. So we're going to comb everything down and I'm going to look and it looks like I've got a little bit right through there so I'm just going to go through and just freehand and take anything off right through there that I feel like doesn't really fit. Get that out of your face. There you go. You look like a million dollars. Thanks for watching. Please check out the Jatai Academy. There's all kinds of great information on there that'll make you better hairstylist and barber. Also let us know what you'd like to see in the future and until next time thank you for watching.   Final Blunt Short Hair Bob Look   Here is the final look of the mid length blunt bob. When you look at pictures of blunt haircuts, you might see a blunt bob with fringe, a blunt bob with side part, chin bob hairstyles or short angled bob haircuts. Blunt haircuts have many looks. Creating that perfectly straight line can be a defining feature of the look you're trying to create so it's best to know proper technique so you too can have the perfect blunt line. When it comes to hairstyles, doing a blunt cut bob for fine hair is pretty much the same as cutting a mid length bob for thick hair. The difference is that with fine hair you have to be more careful as you will see any flaws in your technique. Master this technique and you can do a blunt line on any type of hair with ease.   Tutorial

The medium crew cut is a very classic crew look that many men sport. You might also compare it to an ivy league crew or short crew cut. Crew cuts are very versatile and are generally short on the sides and back with a slightly longer top. The style is a popular men's haircut and it's easy to see why! Crew cut hairstyles generally don't have a very short taper fade and definitely not a skin fade. The hair is slightly longer than that. And because it's more of a rounded look, it doesn't have a flat top. It's not a buzz cut either. You can do this type of cut on curly hair but you will have to pay a little more attention to details. Watch this tutorial taught by Russell Mayes and learn how to do a crew cut. Also, follow along with the transcript.   Medium Crew Cut Tutorial:   Welcome back to the JATAI Academy! Today we're going to be doing a study on how to do a crew cut. So let's get started. So today we're going to talk about doing a crew cut. Before we get started it's good to know the differences between a typical crew cut and then just most masculine shortcuts. A crew cut is basically a short back and sides and a little longer on top which is very common. But most short masculine cuts have a squarish shape, where a crew cut tends to have a rounder shape and tends to be a little shorter on top. Now it gives you a lot of versatility. You can either go longer in the front and then blend that through or you can take everything kind of short on top. Or it can be equal to the sides so you have a lot of versatility and a lot of variation. So what we're going to cover today is we're going to take everything short in the sides and back and we're going to leave the top a little longer, a little longer here in the front as well. And then we're going to comb everything forward and see what we got.   Classic Crew Cut Clipper Over Comb So starting I'm going to start in the back and I can take a clipper and I can put a guard on it and I can run it up the back normally like I would taper most haircuts but today what I'm going to do is I'm going to work on my clipper over comb. So doing some clipper over comb work, I'm going to make sure I comb everything straight down. And clipper over comb is about getting a rhythm of the clipper motion across the comb. When I put the comb in, I angle it at whatever angle that I want my graduation to be, my taper to be, and then I just follow that up the top. Now when I first start there's no guide so I'm basically just using the force to guess where I want my tapering to be and then I can use that as my guide for going to the left and my guide for going to the right. So what that looks like is I'll turn the clipper on, put the comb in, angle that out from the scalp at whatever angle that I think I need. And then that's the angle I'm going to go up and then run the clipper across the comb. And here I'm basically just guessing at what length I want this to be. I'm not being very discerning about how perfect it is. I'm just looking for the overall lengths and I think we can go a little shorter there. So we're going to take that a little shorter through there as well. And now as I start to go up the back of the head I want to fight the urge that I have of up and out because that's most of my training is always short and up and out. But a crew cut is up and over so it keeps that shape kind of round. So once I get my basic taper in like this then I can start to work one side or the other. Now I've got my guide in the middle. I use that as my guide and then just cut this side off here. Now as I press the clipper against the comb I'm not using a lot of force. Right? It's just very lightly tracing the comb.   Give us a thumbs up, click subscribe and the notification bell to be notified of future JATAI videos.   And I'm just going to follow that up and through. I want to make sure that I'm not holding my breath because if I hold my breath, I tend to make my hand shake. And when you're using clipper over comb like this you want to keep as steady a hand as possible. Working that up and through. Now once I reach the mastoid which is this bump right behind the ear, I've got everything cut through here like I want. I'm not too worried about my blend right here. We'll get to that when I start using my scissors. I'm just working on tapering everything down nice and smooth. Once I get to the mastoid I'm now going to skip and go right to the sides. Now on my side I'm going to start here at the ear and I'm going to go short and work that straight up, work everything straight up. I am tapering it in two dimensions here. I'm tapering it going from ear up and I'm tapering it from the front going back. Now once I've gotten everything cut to the top of the ear I will then go through and blend at this angle and that angle is usually going to be parallel to my front hairline. It's going to be parallel to this hairline from the mastoid down to the corner of the hairline. So I'm trying to keep everything even and smooth because most head shapes arc down a little bit. So if I continue that all the way through the back I'm going to end up cutting the crown too short and it's going to make his head shape look funky. So this ensures that I don't cut my crown completely out of it. Check that out, see how we're looking. I'm going to take a little tighter right down here in the nape. Now once I've got the sides and the back done and I got my transition from the front to the back I'm going to go through and do the same thing to the other side.   Crew Hair Cut Scissor Cutting So now we've gone through and we've shampooed our model. Gloriously I might say. Now let's work on cutting the length on the top and blending that into the sides. If you've seen previous videos, you've seen me do a walking guide. I'll take the first section here on the side and I'll cut that length. I'll add the second section into the first and combine them and make one section. So I have section one and two combined. Cut that into the center. I'll remove section one. I have section two and three combined. Section three and four and four and five and so on and I'll walk that guide length all the way around the back of the head. I'm going to do the same thing here on the top, but I'm not going to take any sections. I'm going to do a very classic barber approach where I'm going to start in the front. I'm going to pull the front back to maintain length and then I'm going to walk my guide all the way through in the back. And as long as I'm consistent about how much I'm moving each time going back I'll end up with a nice clean line. So I've got my section. I'm going to comb everything forward. I'm going to comb everything back to where I think the recession is or maybe a little bit further back. I'm going to pull that up and then I'm going to go through and cut whatever length that I want. So now I've got my whole guide linked on the top. I'm going to go to the left, cut that through and I'm rounding the shape out. Usually I keep that shape pretty square and I am using my Osaka Scissors from Jatai because I have a little bit more blade length and it's got a little bit more weight to it so I can cut a thicker section of hair. I don't need to be real precise with it. Now I'm going to go back a finger length back, and I'm going to cut using my guide length from the front. I'll go a finger length back, cut using that guide length from the front. A finger length back, same thing and I'm going to keep going until I run out of hair in the crown. As long as I'm methodical with how far back I'm moving each time, I'll end up with a nice clean line. Comb forward again and now I'm going to start working on the left side. I have two guides. I have a guide in the front and a guide in the center. And I'm cutting that following both of those two guides from the front and working that all the way into the back. This is a very very quick fast way of going through and motoring through a lot of hair. I'm not worried about being real precise with everything. I just want to be very very methodical in my approach. As I work that around, go through, we'll check this out from the other angle. Now I'm going to go through and do the same thing on the other side. So now after I've got all the top done, I'm not worried about blending on the sides right now. We'll get that last. But after I've cut the whole top I want to go through and cross cut it the same way. I'm going to pull everything into the center and any little bits that may hang out I'm just going to go through and trim. And there's not a whole lot because I was very very consistent with moving my fingers back at an equal distance every time. So just go through just cross check anything that hangs out. There's a little nibble there. I'm just going to go through and clean that up. This is just to make sure everything grows out nice and smooth.   Men Crew Cut - Blending Okay so now that we've got everything cut on the top and blend that into the back, I want to make sure everything blends in my transitions from the top to the bottom. So I'll just take vertical sections. You can see where my tapering was and I'm just going to go through and make sure everything blends from the bottom to the top. And I'm going to work that line up and over and blend in. Now if you feel more comfortable starting in the front and then working to the back that's perfectly fine. There's no correct method of where you start versus where you finish. What ultimately matters is that everything blends and is proper and fits the head shape.   Follow us on all your favorite social media such as Instagram @jataifeather   And everything's looking pretty smooth through there. If I find I got a little bit too much taper through there, I can go through and this works really well with my Osaka Scissors because they're so much longer than the other scissors that I have. I've got that extra blade length that makes it easy for me to go through and scissor over comb.   Mens Crew Cut Fringe Looking pretty good. Same thing on the other side. So all that leaves us now is to deal with our fringe in the front, our bangs in the front. So depending upon if I want this brushed up and back. Right? Very very collegiate that way. Or I can have it much shorter and kind of combed over. There's a lot of things that I can do to this. So it just depends upon how short you want this and what look you're going for and how their hair reacts. If they have a lot of cowlicks then probably longer is better so you can control it a little bit easier. So let's go through and just keep it fairly long but I'm going to even it up so it doesn't come to a point in the front. So when I do that I'm going to take and I'm going to pull it out at that angle and then we're going to go through and point cut this through. A point cut soft line is going to be much more pliable and movable than if I was to cut that blunt. Blunt lines tend to not move as easy as soft textured cut lines. Just go through take a little bit of that corner off right there. Looking pretty good. See that little corner right there. It's very subtle but that subtlety will make a big difference. The only other thing I might add is if the person has wavy hair or has a lot of cowlicks or they have a bunch of indentations in their head and their heads not smooth you may get some darkness and some lightness through there you can't blend out very easily.   Tracing this Crew Cut for Men Then I'm going to go through with my Tokyo Thinning Scissors. I'm going to put the cutting blade on the bottom and then I'm going to go through and just trace what was already cut. I'm not trying to go back in and re-cut anything. I'm just tracing that previously cut taper that I put in through there and that will make everything mesh together and blend a lot smoother. And this will also help with any kind of waviness that's starting to stick out or kick out it will soften that line and like I said in the bangs it will make it much more pliable and much easier to move. With my Tokyo Thinning Scissors take that little nibble off right there, that doesn't want to act right. There we go. Much better. Looks pretty good. We got a nice even smooth clipper over comb around the bottom. We got a nice round shape on top, a little longer in the front. You can puff that up. You can bring it down. You got a lot of variety there that you'd like. You can comb it and make him look very very Wall Street or you can crop the whole thing up make him look very edgy. Yes you need to look... well no maybe not that edgy. Well only on the weekend okay. Only on the weekend. Anyway, kind of looks like Kyle McLaughlin to me. Check out the Jatai Academy. There's all kinds of great information on there that'll make you a better hairdresser, make you better barber. You can also check links below to find the scissors that I use. They're fantastic and for the price it's hard to beat. Let us know what you'd like to see in the future and until then I shall see you next time. Thank you so much for watching!   Final Look of the Crew Cut Haircut   A crew cut can complement any face shape and can pair with facial hair. The modern crew cut is worn by many boys and men for it's versatile look. We hope this crew cut style haircut tutorial was easy to follow along and understand.   Tutorial

Creating a disconnected layers haircut can be a little scary sometimes. When hairdressing you want to make sure you take care of your client in the salon and give them what they want. Sometimes clients don't really understand the implications of their requests and what that can do to the outcome of the haircut. A disconnected haircut is sometimes one of those haircuts where you have to be careful of how you approach it. Hair cutting to create disconnection is ok as long as it's not over the top (for most clients). Long disconnected layers can look really nice, but it should be done in a way that doesn't give a mushroom look to the hair or give too much disconnection. Disconnected layers hairstyles can bring more life to the hair and all volume. But when doing a disconnected long layers haircut, perhaps the technique below will give the results you're looking for. Here's how to cut disconnected layers with seamless ease! Follow along with this video tutorial or the transcript below.   Disconnected Layers Haircut:   Welcome to Jatai Academy! I'm Russell Mayes, Director of Content. Today we're going to be doing some layering but the layering is going to be disconnected. In the end it's all going to blend seamlessly. It's a really good way to go from really short layering to really long in length very easily. You curious? Let's get started.   Sectioning the Disconnected Layers Haircut Okay so let's get started here. We're taking a natural or center part right down the center of the head to the crown, from the crown (the drop crown actually) I'm going to go to the top of the ear using my Feather Styling Razor that gives me a good sharp edge to cut with, but it has a little bit of guard to keep me protected from cutting my fingers.   Setting the Perimeter Length So with my Feather Styling Razor I'm combing everything straight down at zero elevation and going through and taking a pretty deep channel and purposefully trying to cut a point into the hair. So I want the perimeter length to have a lot of separation. So by going through and holding this down at zero elevation and taking a channel cut all the way until I cut the section off I can end up with pieces that really separate and flick apart on the bottom. We've cut the bottom part. Now we're going to move up to the top of the head and it's the same pattern that I was using before, combing everything down, finding my guide underneath going through channel cutting and cutting my length off so that I can get that nice soft pieciness on the bottom. Now if I go through and do this with the scissor it's not going to have the same kind of flow and here you can see we got a nice separation on the bottom and it's still got a nice blunt shape.   Addressing the Front From there we're going to move around to the front and I'm going to take the first bump of the head from the parting over to the high point of the hairline over the ear. Then we're going to go back right in the center, take a triangular section, comb that down to where I want my length, cut that, comb everything else forward using that front as my guide. I'm now going to cut my short piece in the center of the front and angle that line down into my perimeter length. I still want to keep a nice smooth razor stroke on both sides so that I can get it to match. Now going back into the center you'll notice I'm cutting from the center of the face down as opposed to cutting from my fingertip into to the palm of my hand. This way the hair is going to flow the same way on both sides. I want to match both sides with my razor action so that I can get that same kind of movement and flow. Here I'm just going to comb everything else from the back of the head down and forward and anything that would hang off my perimeter line that I cut around my face framing. Anything that hangs over I'll cut that off. So here I'm keeping a solid perimeter shape by keeping my elevation low, but I'm keeping the perimeter texture soft by using a razor.   Check out @jataifeather on your favorite social media platform. We've got all of them. We'd love to hear from you.   Step Layering for a Disconnected Layers Haircut So now we're going to continue on. I'm sectioning off the head and the four quadrants. Center and then from the high point of the head to the high point of the ear. Here I'll take one quarter and I'll hold that down and where I want my shortest layering to hit I'm going to pull that section straight up in the air hair and cut that really short. Now with someone as long as her hair is this is going to give you a little pause for concern because you're going to think 'Oh my gosh! That's going to be too short.' But what we're going to go through and do is we're going to disconnect each step of our layering. So there's my first section right there. You can see it underneath and I'm going to go about an inch longer than that. I'm not going to blend it through. It's about an inch longer but the razor stroke will give me on, comb that straight up into my previously cut sections and you'll get a nice soft line that will easily allow everything to blend through. I'm going to take my next section, see my guides drop out.   There's the first one. There's the second one. Now I'm going to go about an inch longer going through with my razor keeping the same methodology that I was doing before and going through and using a broad razor stroke cutting that length off. So by going through and doing this kind of step layering it's going to allow you to build up a lot of length really really quickly. So I can keep the crown very very short and easily blend through my layering down through the bottom without having to over direct in some really steep angle that I'm trying to blend it through. This will go through and create a tremendous amount of length very quickly and since I'm using a razor. It's going to keep everything nice and soft and it's going to blend through. Here's our last section. Just a last little piece there. Everything blends. Now look at that. That's layered very very short but I still have a solid perimeter shape. Now we're going to take our guide from the first section on the left side. Now I'm going to take my section on the right side. Now this part here on the right side (you can see my triangular section right there) this part here I'm going to cut the same length as my parting on the opposite side because this is the new guide for the right side. So I want to start with the same length on the top and then I will completely ignore all the guides on the left side of the head and comb up and cut this about an inch longer than my previously cut section.   Please give us a thumbs up, click subscribe and the notification bell to be notified of future Jatai Academy content.   Now here we've gone through and done both sides. You can see we got a nice smooth layering with lots of separation and lots of pieciness in the back.   Back to the Front Now we're going to go through and do the front. We're going to take the same kind of triangular sections that we were working on. There's my guide from the back. It just dropped out and then I'm going to go through and razor that off with the same methodology that I was doing in the back. But around the front I want to be very very conscientious that I'm going to build this up pretty quickly and you can see my guides drop out from the back so it will blend front to back and top to bottom. But I want to pay attention to make sure I don't get my layering not stepped enough to where I end up giving mullet layers, where I cut my layering so short around the front that I lose all that length right around the front. Combing this up, the very last piece. There's very little right there. Oh and we just dropped the comb and she's laughing at me. It's that kind of day and here we go through and check out everything.   Blow Drying and Styling a Disconnected Layers Haircut We see our layering blends front to back side to side and now we're going to blow it dry and see how we look. On this I start blowing the roots dry first and then I'll go through with a round brush just to get a little bit of a set so I can have a nice amount of volume and a nice little bit of curl pattern to it. Around the front just curling it to one side to kind of get some flow, get it out of her face. Now we're going to hit it with some cold air to kind of set that movement into it. When the hair gets hot it becomes pliable. I can pull the natural shape out of it. When it cools down it will re-harden in whatever shape that I want and that's how I go through and style the hair to have body and some fullness to it. And I think this looks pretty good. We got the layering really short, but we still have a good solid perimeter shape. We got a lot of movement to it. The texture is there and I think that this works really well with her hair. I like it. Thanks for watching. Check out the Jatai Academy for more information and more content to make you a better hairstylist and barber. Also let us know what you'd like to see in the future and we'll see you next time.   Final Disconnected Layers Haircut Look   Now you know what is a disconnected haircut and how to create it. Disconnected haircuts are a beautiful way to add some life to long hair. We hope you gained some knowledge here and incorporate it in the salon!   Tutorial

A male or female bowl cut is a unisex and versatile short hairstyle. A bowl haircut can be made to be a more modern bowl or a vintage classic mod bowl. The variety in styles that bowl cuts come in make it a fun hairstyle to work with. The bowl cut hairstyle can be made dramatically different based on the type of tool used, the techniques used and of course the desired outcome. When you use a scissor vs. a razor to cut a bowl hair cut, you can see how the differences are uncanny. This pixie bowl hairstyle compares the use of these 2 different tools and shows you how they give different effects and final outcomes. To do this, Russell Mayes, Director of Content for Jatai, does one half of the pixie bowl style haircut with a Jatai Tokyo Scissor and the other with a Feather Plier Razor. Follow along in this video tutorial and transcript.   Male or Female Bowl Cut Tutorial:   Welcome back to Jatai Academy! Today we're going to be doing a comparison between a razor and a straight scissor when doing a pixie bowl haircut. So let's get started.   Scissor Bowl Pixie - Part 1 Alright so the first section we're going to take is going to be right here on the side of the head at an angle. I'm going to pull that forward, angle my fingers to where this is going to be kind of longer in the front and a little shorter over the ear. Then we're going to take a parallel section to that and I'm going to continue to walk my guide all the way to the back of the head. There's my guide underneath, work that through. Next section I'm working that back pulling it to the previously cut section straight out from the head. There's my angle. I'm going to follow that through. And I am using my Jatai Tokyo Scissor. It's a five and a half inch which I think is perfect for when you're trying to deal with short little pieces of hair and it will force you to deal with smaller sections so you can work cleaner. Pull that through. There's my guide. Continuing to work that through and down into the nape. And I'm just going to keep doing this until I get all the way to the center or the back of the head. After I've gone through and cut this whole side I want to go back in and cross check it. Now to cross check, since I cut everything on the angle vertical I'm going to go through horizontally and just make sure everything blends. I'm not trying to re-cut it. I'm just trying to make sure that there's no long pieces or any kind of major dips from me going through and cutting that vertically and walking my guide back.   Razor Haircut Bowl Pixie with a Feather Plier Razor - Part 1 Okay so we've gone through and tried to take the exact same parting on the opposite side of the head and I'm going to work it the same way. I'm going to take the same sections which is going to be a small section at an angle right in the front. I'm going to pull this out from the head, longer at the top shorter underneath and I'm going to try to make sure I get it the same length. So I'm going to take kind of a tight razor stroke, but then I'm going to go through and put some internal texture to it. So it's going to give me a solid shape with separation as opposed to taking a really broad stroke and feathering the whole thing out. Start with my length in the front, work that back. After I do that section, I'm going to go through and channel each stroke as I go back to kind of make that separate into pieces.   Follow us on your favorite social media @jataifeather   Nice tight stroke after I cut my length. I'm going to go through and put some internal texture to force that to separate into pieces and work that back. Now to try to match the sides when I'm using two different techniques it's going to be difficult so I'm not really too worried about it. I'm just going to go through it, cut this side as if I was to cut it with a razor. I'll cut the other side as if I was to cut it with a scissor because that's what I'm doing and then we'll just compare the results. This is not trying to make both sides look the same. Pull out forward, there's my length in the front. Work that down and through. Put me some internal texture into it. Take this next section all the way down to the nape. Pin that hair out of the way. Take my previously cut section as a guide. Work that down and through and then a little bit of texture in each section. Now my last section as I start to cross over the other side should be very little hair here to reach and I'm just going to make sure all of that blends through. A little bit of texture.   Scissor Bowl Pixie - Part 2 Alright, I'm going to start right here in the crown, take a vertical section, hold this out from the head, find my length from my graduation underneath. Cut this up and out and through. Check my length. I want to make sure that this shape kind of bevels but I still build up some volume through there so by continuing the graduated line up and then just rounding it out I'll build up some fullness in the back. I'll pivot using the center and the underneath length as my guide. Continue that up and out. I'm going to follow the same line up and out. Now this bevels the shape in the back and I have a nice smooth kind of shape. Now we're going to start to pivot and work that into the front. There's the length from underneath as my guide. Pivot again. Hold this out. There is my length...oh watch out. Now here once I hit the mastoid, I will start to disconnect the underneath and build up a little bit of length towards the front so this is more of just a guesstimate at where I want that length to go because I know on their front I'm getting this kind of length. So I want to keep that somewhere around the eyeball. There's my guide underneath. Now you see our little fringe dropping out there so let's go ahead and start to bevel that shape a little bit through there. And that's not looking too bad, not looking too shabby.   Razor Pixie Bowl Cut Haircut with a Feather Plier Razor - Part 2 Now let's go through and pivot on the other side and I'm going to use a razor on this side. When I'm using a razor and I'm trying to get this kind of beveled shape I don't have to be so conscious about beveling the shape because the application of the razor will naturally bevel it anyway. I have a little bit of my guide from my scissor side to give me kind of the pathway to cut on the razor side. After I go and cut each section I will then go through and put a little bit of a deep channel into each section that I'm going through and cutting. Remove the previously cut hair. Move into my next section. Comb that up and out. Now let's go through put a little bit of texture in there. Here we go. Continue this until I run out of hair and clean up my line here a wee bit.   Click subscribe, give us a thumbs up and click the notification bell to be notified of future to JATAI videos!   Well, we can certainly see a difference between the two sides even though they were cut in the same pattern and following the same guides. So let's blow it dry take a look at it and analyze our end result.   Finished Pixie Bowl Cut with Bangs Look Here's our finished look. It looks very mod to me kind of a mod 60s kind of thing, that kind of pixie bowl cut from the 60s. So right side all done with the scissors, blunt cut, no texturizing to it at all. And you can really see the shape is very solid. It builds out a lot of weight and solidity around the sides as it's working towards the front. And then if we look at the razor side I went through and tried to do it exactly the same. You can certainly see there's a lot more softness to it, a lot less weight and a lot more texture to it. Oh come here. How can you handle all that hair in your eyes? Well, that's amazing. Anyway, uh things to remember. The stronger deeper the stroke the more weight you're going to remove and the shorter it's going to feel. When you're working blunt with the straight scissor with the Tokyo scissor you got to be really diligent to maintain exactly on top of your guide so you don't create any kind of lumpiness and waviness especially when you're transitioning from back into the front and building up this graduation that we put in horizontally. Let me know which side you like better. You like the 60s blunt mob or you like the texture all kinds of wildness over here which is more a little punk rock. Let me know which one you like better. Leave a comment below and check out the JATAI Academy. There's all kinds of great information on there that make you a better hairdresser and make you a better barber. Let us know what you'd like to see in the future, and we will catch you next time. Thank you so much!   Final Thoughts on Bowl Haircuts for Women or Men Bowl cut hairstyles can cut with different tools to create different effects which will influence the final outcome. Additionally, there can be other nuances to the cut that can make it look very different from other versions. The beauty of this cut is that it's a low maintenance, versatile style that can work as a unisex short style.   Tutorial

If you're new to razor cutting or even if you're an advanced user, learning proper razor cutting techniques can take your razor skills to a new level. By using the best razor tools and products and getting professional education you can live your best life in the salon and give beautiful razor hair cuts to all your clients. If you're looking to learn how to cut hair with a razor these cutting hair tips will get you on the path understanding precision hair cutting techniques that are clean and sound. In this video you will learn a razor cutting technique for clean cutting using 2 different razors. Follow along with this technical deep dive on clean razor cutting techniques and the transcript below.   Razor Cutting Technique Tutorial:   Welcome back to Jatai Academy! Today we're going to be doing a technical deep dive on how to get a clean cut with a razor. So let's get started.   How to Hold a Feather Styling Razor (Guarded Blades) First thing is how you're going to hold the razor. You can hold the Feather Styling Razor a lot of different ways. Now the benefit of using the Feather Styling Razor is it has a built-in guard so you don't have to worry so much about cutting yourself and also it's a completely rigid unit. So you don't have any flex points in the middle to worry about if you don't have a good dexterity and control of your hand. A single unit like this will be a lot easier to control. Now a lot of people will tend to hold it with their pinky or ring finger into the ring and the blade facing them when they're holding it. I tend to hold it the opposite way where I have the blade facing away from me and then I bend my fingers so that my knuckles make a right angle. Now the blade is facing down. This allows me to keep my wrist straight and my elbow out from my body so I have a lot more dexterity. I find when I hold it this way I tend to drop my elbow and drop my wrist and it's harder for me to control when I'm dealing with small tight areas like in the nape. So I hold it facing away from me. If you hold it facing towards you that's fine. The main thing is just make sure you have a solid grip on it. If you don't want to put your finger in the ring, you can put one pinky on one side, thumb on the other, three fingers and do the claw method where I still bend my fingers over. And now I have my pinky and my thumb on the inside and my three fingers on the outside. The next thing is I want to make sure that my blade is very very sharp so with each haircut I'm going to use a new blade.   How to Remove and Replace Blades Sometimes if they have finer hair I can use one blade on two haircuts. Sometimes if the hair is very thick and coarse I might need to use two blades on the same haircut. So I'm going to remove this, get the blade out. I have the cartridge right here. I'll slide it right in. Easy to replace, brand new fresh sharp blade. The sharper the blade is, the less pressure I have to use to apply the razor to the hair to cut a clean line. If I want to cut a real clean one length type of shape, I'll comb everything clean from the root all the way through to my fingers.   How to Angle the Razor in the Hair I get a nice tight grip on my fingers, lay that as close to the head as I can. I'll lay the blade flat and I will tilt the blade at a 45 ° angle. Actually, it's a little less than 45. I just want a nice pitch of the blade to where the blade is hitting the hair at an angle. It doesn't have to be 45. 45 is probably too much so maybe we're going to do 28, 28 to 30 somewhere around there. I just want a nice pitch of the angle. Brush down and you'll start to feel when you have the right angle for cutting with razor. It will be effortless to move that blade up and down and go through and cut that section all the way through. You notice I did not move my left hand. It stayed stationary. I only moved the razoring hand. Get that out of the way. If I pushed any hair out I'll go through clean that up. So that's the first method for how to cut hair using a razor and cutting a nice clean line is just to lay the blade against the head, tilt it at a slight angle and a very very small razor stroke. The smaller the razor stroke the more blunt that your section is going to be.   The Unguarded Feather Plier Razor Now if I wanted to move up and move to the Feather Plier which is a guardless razor. It has no guard on it. It's just a straight blade. I want to keep the same things in mind. First thing I want to replace the blade so that I know that it's sharp. This comes in a little cartridge like this. On the bottom you can store the blade. Be careful when you pull that out, goes in the bottom, closes up, no problem. The top pushes out. I have a new blade revealed. Line that into the ridges into the blade holder. And now I have a nice sharp fresh blade. The best way to hold this is to actually pivot to where it's at a 90 ° angle. I'll place that really really deep in my forefinger and my middle finger and then I'll push out towards my finger tip.   Cutting with an Unguarded Blade Curling these three fingers in, my thumb rests here to keep that tight and my forefinger goes towards the tip of the blade. This way I can control how much of the blade moves with just my forefinger. Now we're going to go through and cut this blunt again. Comb everything nice and clean and smooth. There's my line underneath, put the blade in, get a nice pitch. Real gently just move that across. Now I'm moving my whole arm because I don't want to arc the movement of the blade. I want the blade moving parallel to the hair. Now I'm being very very careful and very mindful of the blade touching my skin. One thing that will help with that is I don't chase the hair. I comb everything into my finger. One thing you want to do when cutting hair with razor is to create a death grip with my finger so that the hair does not move. The next step is to gently apply pressure. If I have to apply a lot of pressure, my blade's dull and I need to change it and I need to make sure that the hair is an optimal wetness. If the hair is too dry it's going to scrape and it's going to shatter the cuticle. If it's too wet I'm not going to be able to see how clean my underneath guide is. Does that make sense? I'm not going to be able to see my guide from underneath because it's all going to stick together. I think that's probably a better explanation. When I go to section I close my blade so I don't want any sort of mishap from me going through and sectioning each section. I close the blade every time.   Follow us on your favorite social media platform @jataifeather   Razoring Technique for Movement Now if I want to razor cut hair introduce movement, then I will use a different technique. I'll take my section, I'll hold it down. There's my guide from underneath. Now from here I will put the blade at the inside of my finger or at the tip of my finger depending upon which side that I'm going to cut and then I only move straight up and down as I cut from the inside of my finger to the outside of my finger. Now there's a little trick here for how to razor cut hair that I want to bring to your attention and that is if I only use the tip of my blade every time I go through and cut, it's going to dull the tip of the blade very very quickly. So what I want to do is I want to be conscientious of that and use the entire length of the blade. So what I'll do is when I come in here to cut this section, I'll cut at the back of the blade right here at the very root of it and as I move the blade up and down I'm also moving to the tip. So I start at the back and as I move I go towards the tip of the blade. The best thing to do for cutting hair with a razor is to start at the back of the cutting razor and move towards the tip. That way I can keep a nice clean straight line by cutting interior going towards the front which is going to create movement but also it's going to keep my blade evenly sharp and it's going to dull at the same time. I'm not going to over dull the tip and the rest of the blade is super sharp. And so by being mindful of my blade usage I won't go through blade so quickly. Now the benefit of using the Feather Plier Razor over using the Feather Styling Razor to cut hair is that the Plier I have much more fine control and dexterity and I can end up with a cleaner cut line. This Feather Styling Razor is much safer and will give me a nice clean line but because it has the softening effect of the guard I can't get as clean of a line. So ultimately this Feather Plier Razor will give me a cleaner line. Alright so we're going to comb everything down. I'll come in. Now here I don't go from the tip into the very root of the blade. I keep the tip to the middle of the blade when I'm working from the interior to the front on the right side of the head. Come in, there's my angle and I slowly move about halfway through. I don't try to go all the way to the root of the blade because then it gets a little bit close to my finger and I don't have as much control. So the way that I compensate for that is when I cut the left side instead of starting at the tip I will start at the base of the blade the root of the blade and go towards the middle.   Give us a thumbs up, click subscribe and click the notification bell to be notified of future Jatai content.   Now say that I come through and I cut something and it's a little longer, I can go through and clean that up by rolling my fingers over to create tension on the hair and being very gentle as I run the blade across the hair on top of my finger. I have to be very very mindful to not use a lot of pressure and cut all the way through and then to cut my finger. It's a very very small stroke but it will allow me to clean up my line as much as I need to so those are the two fundamental ways of doing a razor cut where you get a clean line. It's not always about just filleting the hair until it becomes string. Sometimes you want a nice solid shape but you want the softness of a razor. The razor give you a softness you can't get any other way. This is where the nuances of how to razor hair come into play. So let's finish this up and see how she looks when we're all done.   The End Results I think we're looking pretty good this is our end result. Our whole goal was to try to get as clean a cut as possible using the razor. So I showed you how to do it on two different razors, the guard and the guardless. And I think it looks pretty good. We got a nice clean line. We got a nice little bit of texture in the bottom of it. It's got a nice amount of movement to it and swing. I think I got her a little longer on the left side but I'm just going to have her walk around like that from now on so we're not going to pay attention to that. But same thing on the bangs. I just held straight down and just cut straight across. These different cutting techniques for hair will hopefully help with your razor techniques in the future. Please check out the Jatai Academy. There's all kinds of great information on there that will make you a better hairdresser and a better barber. And let us know what you'd like to see in the future and until then thank you so much for watching and we will see you next time. This video is all about razor cutting. If you would like to learn more about scissor cutting such as point cutting and texturizing with scissors, go to Education Connect and in the filter for 'Select Tool,' choose 'Shears and Scissors.' If you want to learn how to remove bulk from hair and how to cut with a razor building fundamental razor skills, check out the Razor Fundamentals Course. For general videos on how to do different razored hairstyles such as razor cut shags, how to razor cut short hair or razor haircuts for fine hair, go to Education Connect and in the filter for 'Select Tool,' choose 'Haircutting Razors.'   Tutorial

Watch this textured quiff tutorial and gain the knowledge to create this style! The quiff short hair style is a popular men's haircut that is versatile, classic yet trendy at the same time. A texturized mens quiff is what gives this hairstyle it's unique ability to be styled in multiple ways.  If you know how to style a quiff you can make it look more casual and rugged or make it more sleek and formal. If you know how to do a good quiff with lots of texture, it will give a man a lot of options for wearing his hair. Follow along with the video and transcript below.   Textured Quiff Tutorial:   Hello champion! I'm Russell Mayes. Welcome to Jatai Academy. Today we're going to be doing a textured quiff haircut, very fundamental, very basic. Short back and sides, lot of texture on the top. And uh I think it works on a lot of different types of hair, a lot of different types of texture, a lot of different face shapes. It's a good one to have in your arsenal. So let's get started. on how to make quiff hairstyle. We've got our haircut sectioned off. We're going to separate the top from the bottom and we're going to go right to the center of the recession to the quarter part, quarter part down to the drop crown. Same thing on both sides.   The Sides and Back This separates the top of the head from the bottom of the head. So I'm going to go through and cut the sides and the back using my Feather Styling Razor. I have the special chrome edition which I think makes me look very fancy. And since I'm going to go through and use this I'm going to start with a little bit of Jatai Blade Glide just to make the razor slide through the hair easier. My first section is going to be parallel to the front hairline at an angle. I'm going to go through and comb that clean, angle my fingers out a little bit longer, keep my knuckles planted next to the head. And then I'm going to take a nice tight razor stroke. As I go all the way down and through. Now here because it's sticking out I'm not going to freak out instantly. I'm going to go through and build the basic shape and then I can fine tune that and clean that up but I'm not looking for perfection. The first section or the second section I want to build that perfection as I go. I'm going to comb this into the previously cut section following my previously cut guide, take that all the way down and through. Take my third section comb it into the second section. There's my guide. The same razor stroke, go through and cut that down. Now here when I get to the ear I'm taking that section all the way down. And you can see from here that this angle is parallel to this hairline right behind the ear and it makes it easier for me to transition from the side into the back. Comb this into my previously cut section. There's my guide. Comb that down and through. Here I'm going to maintain the same length that I got there and as I get to the bottom I'm going to make that a little bit longer because I want kind of a ratchet little shape. I want him to have a little bit of something going on here in the bottom. So I'm going to take that. Now I'm going to go through and texturize that as we go but that's going to give me enough length that I can play with later on. Now I'm just going to continue this same methodology of taking parallel sections until I get to the center of the back.   Give us a thumbs up, click subscribe and the notification bell to be notified of future Jatai Academy content.   My last section, repeating the same thing. Comb to the previously cut section. Use that as my guide. Follow that length until I get to the very bottom and then bring that out for a little more length and his little mud flap down through here. This looks a lot better once I'm finished going through and doing the whole thing than it looked with my initial cut. My initial cut made me think 'oh my god I chose the wrong tool. Oh my gosh! What have I done? This is going to look terrible.' But I have to trust myself that I can clean that up as I go and now once I finish this whole side it looks pretty smooth and it doesn't look like it needs as much cleaning up as I initially would think it would because of that first section. So you have to trust yourself and you have to trust the methodology as you start to go through and build your shape. Now I'm going to do the same thing on the other side. Okay so now we've got our underneath section done. We got it the same on both sides but what I want to go through and do now is to taper this in a little bit tighter underneath and to texturize my mud flap here in the back.   Blending and Removing Weight So I'm going to go through and use my Jatai Tokyo Thinning Scissor. This is the perfect thinning scissor for taking a medium amount of hair out. It's not going to be real ultra fine. It's not going to be real chunky and thick. It's perfect for blending and perfect for removing weight. So I'm going to go through scissor over comb and I'm going to start underneath here. The reason that I'm using my thinning scissors as opposed to a clipper or regular scissor is so that I can maintain that razor texture that we've gone through and put through.   Follow us on your favorite social media platform @jataifeather   And I think that that's looking pretty good. Now here in the back I want to get some separation through here so I'm going to go through and deep point cut this with my thinning scissor. That way it gives me that razor kind of texture and that separation but it removes some of the weight so it doesn't feel so dense back here because I just want these to be you know little flicks of a mud flap not a full-blown you know straight hardcore across the back flap.   Back and Top of the Head Now we're going to go through and section out the back top of the head. So I took our quarter part which goes from the top of the ear to the crown to the top of the ear on the other side. Now I'm going to go through and fit all of this in the back so that it all blends back here but it doesn't get too short in the crown and make my head look flat. There's my length from underneath and slowly start to build length as I go to the top. Pivot from the center. Now I have two guides. I have the guide from this length underneath and I have the previously cut guide. Pull those into the center of both of those sections. Continue to hold this out 90 ° from the head as I slowly increase my length towards the crown. Next section I'll pivot again. Take the center section out. Now I have my section two and section three. There's my length. Pull that up and out and gradually increase my length as I go to the top of the head. We'll take this whole section here. Hold that straight out. There's my length. Come on there we go. Perfect. Now moving on to the top, I'm going to go through and take a horizontal section parallel to the previous section that I did to separate the top from the bottom using my guide underneath and cut this all the way through. I am going to leave this a little bit longer here in the front. So because I'm leaving it longer in the front I'm going to start my cutting in the back. So I'll pull that up. There's my length and start to work from the back going forward leaving a little bit of length and a little bit of disconnection right there in the very front. And now I'm just going to continue parallel sections, not too thick, not too thin as I continue all the way up to the top of the head and my last section. When I get to the center of the head. Hold this out. Follow my guide from underneath. Now we've got that blended on the sides and in the back and we're going to do the same thing on the other side. We've got both sides finished now. So I'm going to go through and take a center section about the size of the nose right from the front all the way through to the back. Now from here remember I cut this part back here pretty short so I'm going to use this and gradually increase my length as I go forward. Gradually increasing my length as I go from the back to the front. Now this is totally your creative choice of however short you want the top to be, how much increase of length that you want, how much you don't. I'll take a parallel section going to my client's left side. Both of those in the middle of both of those sections. Not to the center but the center of both of those two sections. Now as I don't have enough hair to hold I'll go through and use my thumb to push the hair against the blade but making sure that I'm not pushing into the blade. I'm just holding the hair and allowing the blade to go through and cut everything off that I want. Alright so now let's look at that. That's looking nice and textured through there. So let's do the same thing on the other side.   Texturing the Top for Separation So now from here I want to go through and methodically as possible texturize the top. This is what's going to give me my separation. It's also what's going to give me you know my pieciness so going through deep but gently channel cutting each and every section on the top. Now by going through and doing this it's going to make the hair feel and look a little bit shorter. So maybe I should leave it a little bit longer before I go through and texturize it so I don't end up cutting everything off and making it too short. Just continuing on to go through and each and every section as methodically as I can apply a lot of texture, deep channel cutting into the entire top of the head. I think we're looking pretty good. I think the shape's there. We may need to do some fine tuning once we blow it dry to get the textures right and get everything just to where it pops but let's go ahead and blow it dry and check it out.   Finishing Textured Quiff Hairstyle Here's our end result. I think it looks pretty good. It's a little more of a modern version of an 80s quiff than you know than the real short back and sides of it being overly tapered. I think the interesting part of it in today's masculine hair shapes is it's got more texture to it other than it just being super clean cut. I think the texture is what keeps it a little bit more edgy and a little bit more interesting visually for our eye. It works on a lot of different types of hair, a lot of different types of hair textures and you have a lot of variety with it whether you want to go really short and longer or shorter all over. It works well on a lot of different things a lot of different textures and types of hair. Please check out Jatai Academy! There's all kinds of great information on there that will make you a better hairstylist and barber. And also please let us know what you'd like to see in the future. And until next time thank you so much for watching. We'll see you soon.   Final Look of the Mens Short Quiff Haircut The male quiff style can be made to have even shorter sides or longer sides. Same with the top. But the overall concept is the same. The front quiff hairstyle is a defining feature of this look so styling the front can completely change the overall look of the haircut.  A long quiff hairstyle will be less clean cut and have a more lived-in look and a messy quiff hairstyle will have a more grungy rugged look. The versatility of the hair quiff makes this a fantastic style to learn. And learning how to style a quiff takes some practice and experimenting. A boys quiff haircut works just the same. It looks great on boys, teenagers as well as adults. Even some women can rock a quiff. How to do a High Quiff and Style for Pieciness For men's coiffed hair you need to learn how to put your hair in a quiff. You can use a clay based pomade to get the pieces to separate. This will give that added textured look.     Tutorial

When learning different razor cutting hair techniques, it's fundamental to understand razor stroke, razor angle and hair tension. Razor cutting hair techniques for beginners include understanding the difference between a short and long razor stroke. In this video you will learn how to cut hair with a razor and how a short and long razor stroke give different results. In the salon, these razor cutting techniques will help you create the desired look and styling effects you're going for so take these cutting tips and precision hair cutting techniques and incorporate your learnings into your haircuts. Watch this tutorial video and follow along with the transcript in this article on how to razor hair.   Short vs. Long Razor Stroke: Razor Cutting Hair Techniques   Welcome back to the Jatai Academy. Today we're going to be doing a razor cut where we compare the differences between how to razor cut hair using a long broad razor stroke versus a very tight short razor stroke. So we're going to start here on one side of the head. The razor used in this tutorial is our Feather Plier Razor which is a professional razor for hair cutting. And I'm going to show you how to hold it. We're going to put it deep between my forefinger and middle finger push the blade out towards my fingertip and use just my fingertip to give it some movement.   Short Tight Razor Stroke I'm going to take my first section, determine my length overall and then start cutting from the center of the hairline all the way down towards the perimeter. And I'm going to take a very very tight razor stroke here. I'm pulling everything forward and cutting straight up and down perpendicular so this is going to give me kind of a feathered look and that's what we're going to go for. And you'll be able to see the differences between a long stroke and a short stroke. So I'm pulling everything forward using my center guide that I chose where it would fall on the face, pulling everything forward and just follow through with the cutting razor. Now the thing is when you're using a short stroke like this I want to maintain some consistency with my stroke. And if you'll notice as I'm cutting I'm starting at the base of the blade, the part that's back towards my palm and slowly moving the blade towards the tips so that way I dull the blade evenly. Now in between every section that I take I'm going to close the blade and hide it so that I don't risk cutting myself or risk cutting the hair. These are great cutting hair tips to maximize the longevity of the blade and the razor. So this is the elevation that I'm holding out for each section that I take. I'm going to pull it forward, get the right elevation, find my guide underneath, open up my blade. There's my guide and I'm just going to follow cutting directly on top of the guide. Now here you'll be able to see as I start at the base of the blade cutting with razor and then move towards the tip of the blade so that it evenly wears out the blade. Because if I only use the tip it's going to dull the tip pretty quick and then I have the rest of the blade that's sharp and then I end up throwing it away. I'm going to check the result and make sure that we're looking good. Now I'm going to continue to work back towards the head and I take a flat section of head that's going to determine my size of the section and you also see the elevation. So as I work back my elevation gets higher and higher and I'm pulling everything thing forward even right on top of the previously cut guide. The only thing that changes is the elevation and the head shape is going to show me the elevation, combing everything clean from the root all the way out continuing a nice short stroke all the way through. Continuing to pivot around the ear taking little flat sections to determine the size of my section and then I'm showing you the elevation. Now as I start to work towards the back you'll notice I tilt the model's head down so it makes it easier for me to get into that correct elevation. There's my guide underneath. Start at the base of the blade then work out towards the tip as I work through my sections. A tight razor stroke is going to give me a much more solid shape. So if someone has finer hair I may want to use a really tight stroke versus a really broad stroke and this type of method of me elevating as I work towards the back is actually going to cut a curved line shorter in the front gradually curving to longer length in the back. And just continuing to work all the way through.   Click subscribe, give us a thumbs up and the notification bell to be notified of future Jatai Academy content.   Continuing all the way back, just following the same methodology working my guides back, I'm going to pin some of this hair underneath out of the way so it doesn't get in the way, gives me less hair to work with and it makes it easier to control. There's my elevation. Hold that up, take my razor, go through and cut that as smoothly and as consistently as I could all the way from the beginning to the end. That's not the smoothest razor action that I've ever seen myself do but you know we try to keep it as consistent as possible. One thing as I'm watching this that would help is if I kept a consistent tension on it. Sometimes I notice I was allowing the tension to sag and that will make it a little bit harder to cut. Continuing to pull everything up at elevation to continue this curved layering line from the front all the way to the back. Now this next section I don't think I'm going to have a whole lot of hair and I didn't. So here's our end result on the left side which is the short razor stroke.   Broad Long Razor Stroke And now we're going to take a little piece right in the middle as our guide and I'm going to go through and follow the same sectioning patterns that I had on the left side on the right side. The only thing that's going to change is the broadness of my razor stroke. So you can certainly see here how much broader that razor stroke is and how much softer of a line that I'm going to get. Now one thing that I have to really pay attention to when cutting hair with razor is that this side is going to have a lot more texture to it. It's going to feel shorter. Even though the lengths will match up in the end, it's going to feel shorter because it has a more airy texture to it. So maybe take that into consideration as I'm cutting that I might leave it a little longer if I'm using a lot of texturizing and a broad razor stroke like this. And also another thing is when I'm working through a broad razor stroke like this, the guide is a little harder to see. So I need to be particularly mindful to pay attention to where my guide is so I can stay on top of my guide. Keep a broad razor stroke as consistent as possible. I don't want to have one part a little tighter stroke and the other part a little looser. I want to keep it as even as possible. And now you'll see that I start to elevate the same as I did on the other side, just following whatever the head shape is. Broad razor stroke all the way through. Consistency is key.   Follow us on your favorite social media platform @jataifeather We got Facebook, Instagram, Twitter, Pinterest, TikTok. We've got it all.   Continuing to pivot my partings as I go back using the flat parts of the head to determine the section width and then using the head shape to determine my elevation. Continuing to pull everything forward and up parallel to my parting and then following my guide from underneath. And I'll keep going until I run out of hair. Checking my guide here, checking the side lengths to make sure that they're even. So that's how I would determine if both sides are the same. As I cut one section, I can compare it to the exact same section on the opposite side of the head. And if it's the same, then I just keep moving on, keep working towards the back until I run out of hair. Now since I'm using the Plier it doesn't have a guard so I have to be a little respectful of the blade and exercise care as I'm taking these real broad razor strokes. On the tight razor stroke, I think it's easier to control but a broad razor stroke sometimes I get a little too excited. So I have to be really mindful so I don't cut myself. And here we've run out of hair and nothing's uh reaching up to my guide so now we've got our end result. I'm going to check both sides to make sure it's even and I got a little whisper there on the right right side but not looking too bad.   Final Results As we go through and blow dry and polish everything off we can certainly tell the difference between the broad razor stroke side versus the tight razor stroke side. The tight side is going to be heavier and more solid. The broad side is going to be much more airy and flicky and you can really see the difference. Both look good but really quite a difference between the two even though it's the same haircut. Check out the Jatai Academy for all kinds of fantastic information including how to cut hair using a razor that'll make you a better hair stylist and barber. You can learn how to do different types of razor hair cuts as well as scissor cuts. We hope you enjoyed this class and that we can continue to be your source for haircutting education. Let us know what you'd like to see in the future thanks so much we'll see you next time! A short stroke vs. long stroke when cutting hair with a razor can make a difference in your haircutting results. And using a razor to cut hair vs. scissors also makes a huge difference. This means there are many ways to cut hair just based on the tool used and the technique used. Learning how to cut with a razor is a useful skill that every hairstylist should know. Learning different cutting techniques for hair such as how to remove bulk from hair, how to texturize and create volume using a razor for cutting hair will give you the confidence you need to take your razor cutting to the next level.   Tutorial

Do you want to learn how to cut face framing layers with a razor and scissor? Knowing how to use both tools allow you to create the desired look and effect you're going for. In this video, Russell Mayes teaches you how to create face framing layers, a popular request among long haired clients. Watch this video and follow along with the transcript.   How to Cut Face Framing Layers with a Razor and Scissor:   Welcome back to the Jatai Academy. I'm Russell Mayes, Director of Content for JATAI and we're going to cover two different types of face framing layering, one that's going to be heavy and solid and the other one's going to be light and airy. We're going to prep the hair with some Blade Glide from Jatai and we're going to go through take a natural or center part and then we're going to section off of that part from the first bump of the head where the bangs are to the high point of the ear.   Establishing the Guide We're going to take our Jatai Tokyo Scissor. It's a 5 - 1/2 inch scissor. And I like the 5 - 1/2 inch because it gives me more control and more dexterity and forces me to work with smaller sections. So we're going to take a first center section. Here I'm going to pull that out, determine my length and then point cut that. That's going to be my guide for both sides. So after I get that I'll check the length. We're looking pretty good. I'll split that in half. Now the right half of the head I'm going to keep this section and this side very very solid and heavy. And in order to do that I'm going to take all the hair comb down towards the face. I'm not elevating it. I'm keeping it very very low.   Face Framing I'm going to angle my fingers, determine where my length is, and then from my short guide length in the center by the nose I'm going to choose an angle that will blend all these layers around the face from the short part to the long part. And then I'm just going to slowly go through and start at the inner part of my finger and point cut that down to determine my length and my line. And I'm just continuing to comb everything as smooth as possible trying to avoid dragging the section. I just want to comb straight down as evenly as possible. I'm going to use a little bit more Blade Glide where the hair is starting to dry out so I can keep an even amount of moisture throughout all my sections and continue that all the way down to my guide length on my perimeter. Now we're going to continue to go through and clean that up. Now I want you to pay attention to how I'm holding my fingers and then I drag that section straight down to cut. What I'm not doing is I'm not putting my fingers in horizontally and then dragging the section to the angle that I want to cut. Because whenever I drag the section to the angle what it does is it unevenly compresses that section and I end up with it shorter where my uh where my fingers have gaps. So you can see my fingers have gaps there and there. So when I drag that section it's not going to be even and consistent whereas if I comb straight down put my fingers in and then pull without dragging the section on my fingers I'll end up with a much cleaner line. So after I get this cleaned up like I'd like and I get that as smooth and as even as possible then I'll start to move on to the last sections on this side of the head. Blade Glide is a good thing to use. It helps keep the hair an even amount of moisture and also makes it easier to cut so I can get a cleaner line. Now we're going to take from the mastoid to the high point of the head. This is going to be my next section working to the back side of the left side of the head and this is the most important transition part and I'll really explain this on the other side of the head. But this right here can make or break your layering especially when it comes to framing around the face. You'll notice I'm still pulling it straight down towards the face like I was doing the first section. I'm not pulling it to the front. I'm pulling it down and its natural fall as if it was to fall in front of the shoulder. And anything that hangs over underneath of my guideline I'll just gently point cut off. If you haven't already follow us on your favorite social media platform Facebook, Instagram, Twitter, Pinterest and even TikTok. Now once I got everything on this side I'm going to comb everything down just to double check and make sure everything's blended. If I need anything trimmed up I'll do that right here but this side is looking pretty good.   Face Framing with a Different Elevation Now let's move on to the other side of the head. Now this side of the head the elevation is going to be completely different. Now you'll see the hairline right there and that's going to cause me problems if I point cut it like I did the other side. So I'm going to elevate and pull it forward and then I'm going to go through and use my guide length in the center and point cut this down to my overall length on the side of the head. So the short in the middle I'm point cutting down. The only thing that's changed on this side versus the other side is my elevation. So by elevating it it's going to release more weight. It's not going to change anything else other than the weight but because I'm elevating it and the hairline is going to get exposed it's going to throw my line off. So now if I comb this down and I start looking at my line it's going to be inconsistent and it's going to mirror what the hairlines showing because you see right through there I get a heavy spot. And then it gets weaker and goes to a point which is exactly what happens right around the temple and then the angle changes as it goes towards the end and then I get a little heavy spot right there at the bottom.   Removing Inconsistencies So because I have inconsistencies of my hairline I'll have inconsistencies of my result. So to fix that I'm going to go through and use my Feather Styling Razor. I got the fancy silver one which I really like. It makes me feel cool. So I'm going to put a little Blade Glide on and I'm going to go through and elevate this exactly the same way but because I'm going to go through and use a razor on this what it's going to do is it's going to completely lighten the edges up. It's going to remove weight from the edges so that I won't have that inconsistency of weight. And it will make this whole side much smoother and it will blend much easier and can be a lot lighter not so much because of the blade of the razor but because of my elevation. Now this section I'm pulling straight forward. I'm still following my guides from short to long and I'm just going to go through and lighten up the edges.   Give this video a thumbs up, click the subscribe and the notification bell to be notified of future Jatai Academy content.   Now after I've gone through and I've cleaned everything up like I want, I want to make sure I have a smooth blend from my short piece to my angle that's creating my length on this side and I want to try to match it as close to the other side as possible.   Matching the Angles That's really the hard part when you're doing this face framing is matching the angles especially if they have an off center part. So after I've gone through and done that you'll see that this is going to flow a lot better around the face. Make sure my lengths are the same there and then we're going to move on to the next section which is the high point of the head right to the mastoid. Using my guide before. Now as I was saying on the other side this is the key point with your face framing. Now you'll notice I'm pulling it down and I'm not pulling it forward. So by pulling it down that's going to now give me a structure of the face framing so that it keeps that layering around the face and it makes it solid but it's still going to be softer because that first section I elevated, this section will stop it and keep it from flowing to the back. Now here I'm going to show you if I was to pull it forward like I did before you'll see how much shorter that length would be on the top. If I cut it like that then it's going to force it to flow back and I'm not going to have face framing. I'm going to have feathers. So as I continue to pull the sections forward, if I do that I end up with hair that gets feathered back and has that 70s look. But if I want to keep a face frame then I have to elevate the front to keep it light. The next section I stop that movement by holding it straight down but because I'm cutting it with a razor it's still going to give me that same texture and blend. A little bit of Blade Glide when I need it on the ends where it starts to get dry and this will keep that from splitting. By using the Blade Glide on drier hair like that it keeps it from splitting and forcing the cuticle to fray open. Now we're going to check both sides, make sure everything's looking pretty good, make sure it's even and it looks good to me. So now let's go through and blow it dry. I'm just going to round brush everything very very easy, very straightforward not getting a whole lot of curl to it but just getting some body and control.   Final Result And here's our end result. Now if you start to look at this you can really see how the left side is a lot lighter but not only because of the razor but because that first section was elevated. Please check out the Jatai Academy. There's all kinds of great information on there and let us know what you'd like to see in the future. If you have any questions post them below and we'll see you next time. Tutorial